sun 01/06/2025

Comedy Reviews

Edinburgh Fringe: Alfie Moore/Eddie Pepitone/Claudia O'Doherty

Veronica Lee

Alfie Moore: I Predicted a Riot, Pleasance Courtyard ****

 

Read more...

Edinburgh Fringe: I, Tommy/Josie Long/WitTank

Veronica Lee

I, Tommy, Gilded Balloon ****

 

Everybody will be familiar with Tommy Sheridan's story, and not necessarily because they closely follow Scottish politics at their most internecine. Rather because the Glaswegian socialist went from being barely a paragraph in broadsheets to being plastered over the front pages of tabloids after a series of revelations – which he strongly denies – about visiting swingers' clubs.

Read more...

Edinburgh Fringe: Tam o' Shanter/Trevor Noah/Bridget Christie

Veronica Lee

 

Tam o' Shanter, Assembly Hall ****


Scottish schoolchildren are brought up on Robert Burns but other British students aren't so fortunate. We may know snatches of the great man's work – “Wee, sleekit, cow'rin, tim'rous beastie”, “O, my Luve's like a red, red rose” and so on – but few of us could recite even a stanza of Tam o' Shanter.

Read more...

Edinburgh Fringe: Jigsy/Pappy's/Joe Lycett

Veronica Lee

Jigsy, Assembly Rooms ****

 

Les Dennis may have started his career as a comic, and then as a presenter of cheesy, family-friendly television game shows, but of late he has been plying his trade as a very decent actor. And so it proves again in Tony Staveacre's one-man play about a washed up Liverpudlian club comic.

Read more...

Edinburgh Fringe: Magnus Betner

graeme Thomson

Magnus Betner, Assembly Rooms ****

 

Here is the news: dismemberment, suicide bombers, industrial-strength Japanese porn, paedophilia and the descent of Julian Assange from hero to zero. The son of a priest and a superstar in his homeland, Swedish comic Betner is drawn to the dark stuff (come to think of it, there’s not much of a leap between Betner and bête noire), and his show latched on to the mood of post-Olympics comedown and held fast.

Read more...

Edinburgh Fringe: Liam Mullone/Sarah Kendall/Iszi Lawrence

theartsdesk

 

Liam Mullone: A Land Fit For Fuckwits, Stand 4 ****

 

Read more...

Edinburgh Fringe: Mies Julie/Loretta Maine/Foil, Arms and Hog

Veronica Lee

Mies Julie, Assembly Hall ****

 

Miss Julie is pretty full-on at the best of times but in Yael Farber’s striking new version, Strindberg’s themes of class and gender are given a shocking modern makeover. In transposing the action to present-day South Africa, she has written a story about the divide that still exists between the haves and have-nots, and the crippling emotional history that has yet to be overcome by the young nation.

Read more...

Edinburgh Fringe: Rosie Wilby

graeme Thomson

Rosie Wilby: How (Not) to Make it in Britpop, Bongo Club ***

 

In the 1990s Rosie Wilby was lurking on the outer edges of Britpop with her band Wilby, whose giddy career highlights included opening for Tony Hadley (he evacuated the entire room for the soundcheck), being clamped outside the venue while supporting Bob Geldof, and getting their own plastic name tag in the racks of Virgin Megastore.

Read more...

Mrs Brown Rides Again, Hammersmith Apollo

Veronica Lee

There's a great PhD to be written about why comics are so keen to dress as old biddies, from Arthur Lucan and Benny Hill to Dick Emery and Les Dawson, by way of any number of panto dames to the most noble of them all, Dame Edna Everage. To this esteemed list of comics should be added Brendan O'Carroll, whose Agnes Brown is an astonishing creation, a foul-mouthed Dublin widow whose passions in life are bingo and poking her nose into her children's lives.

Read more...

Dara O Briain, The Playhouse, Edinburgh

graeme Thomson

The fact that the latest in a long line of Dara O Briain DVDs is already on sale on Amazon is pretty impressive considering that he hasn’t recorded it yet. I know this because the second show of his four-night run at the Playhouse happened to be the one immediately before the gig being filmed for a timely pre-Christmas release. If it captures the warmth and verve of last night’s show it might even turn out to be one of those rare comedy DVDs worth buying.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Queen of Spades, Garsington Opera review - sonorous glid...

Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production...

The Ballad of Wallis Island review - the healing power of th...

I think The Ballad of Wallis Island is the best British romcom since I Know Where I’m Going! (1945), which it closely resembles...

Music Reissues Weekly: Pete Shelley - Homosapien, XL-1

Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the...

The Salt Path review - the transformative power of nature

“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by...

Elephant, Menier Chocolate Factory review - subtle, humorous...

This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose...

Album: Nick Mulvey - Dark Harvest Pt.1

Nick Mulvey’s first two albums, First Mind in 2014 and Wake Up Now in 2017, are among the loveliest singer-songwriter fare...

This is My Family, Southwark Playhouse - London debut of 201...

MOR. Twee. Unashamedly crowdpleasing. Are such descriptors indicative of a tedious night in the stalls? For your reviewer, who has...

Alan Sparhawk, EartH Theatre review - an absorbing game of t...

For the first half-hour of this show – on the day before the release of his new album Alan Sparhawk With Trampled by Turtles – Alan...