mon 25/11/2024

Men Should Weep, National Theatre | reviews, news & interviews

Men Should Weep, National Theatre

Men Should Weep, National Theatre

A woman's work is never done in Josie Rourke's superb revival

Home's where the heart is for Maggie Morrison (Sharon Small)Manuel Harlan

“It seems to me there’s nae end tae trouble. Nae end tae havin’ the heart torn out of you.” That’s the gut-wrenching cry of despair voiced by Maggie Morrison, the worn-down woman who is herself the heart of Ena Lamont Stewart’s vivid, sprawling 1947 drama. The piece was voted one of the 100 greatest plays of the 20th century in the National Theatre’s millennium poll; yet, aside from a landmark revival by Scottish company 7:84 back in 1982, it’s rarely been seen. Now young director Josie Rourke, who currently helms the Bush Theatre in west London, seizes upon the work for her South Bank debut. The results are nothing short of sensational.

“It seems to me there’s nae end tae trouble. Nae end tae havin’ the heart torn out of you.” That’s the gut-wrenching cry of despair voiced by Maggie Morrison, the worn-down woman who is herself the heart of Ena Lamont Stewart’s vivid, sprawling 1947 drama. The piece was voted one of the 100 greatest plays of the 20th century in the National Theatre’s millennium poll; yet, aside from a landmark revival by Scottish company 7:84 back in 1982, it’s rarely been seen. Now young director Josie Rourke, who currently helms the Bush Theatre in west London, seizes upon the work for her South Bank debut. The results are nothing short of sensational.

These grim domiciles teem with life; we never see the rats that are mentioned, but it's not hard to believe in them

Share this article

Comments

I went to see this play last night and was absolutely bowled over not only by the power and intensity of the acting, but also by the quality of delivery of the humour. Although being English myself I have lived in Glasgow for many years so was able to get not only the straight gags but also the rich humour which comes through the use of the Glagow dialect itself. It is the lack of opportunity that is the underlying theme of the play but it is the absolute defiance to give up hope that burns throughout. London should take this production to their hearts. When this goes to Glasgow , which it surely must, it will be a riot!

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters