fri 15/11/2024

The School for Scandal, Barbican Theatre | reviews, news & interviews

The School for Scandal, Barbican Theatre

The School for Scandal, Barbican Theatre

All the sound and fury in the world fails to turn a Sheridan comedy into an epic

Social graces: Alan Howard delights as the elderly cynic Sir Peter Teazle

"There’s no possibility of being witty without a little ill-nature,” preaches the Gospel according to Richard Brinsley Sheridan. What the playwright omits to mention, however, is that it is possible to be ill-natured without in fact being terribly witty, a flaw that proves almost fatal for Warner’s acerbic, alienated new production of The School for Scandal. Overstyling Sheridan’s most stylised of comedies, Warner turns what Hazlitt described as the most “finished and faultless” play into a mass of tensions, exaggerations and contradictions. The result can be exhilarating in the moment, but wears off into confusion and a slight headache.

"There’s no possibility of being witty without a little ill-nature,” preaches the Gospel according to Richard Brinsley Sheridan. What the playwright omits to mention, however, is that it is possible to be ill-natured without in fact being terribly witty, a flaw that proves almost fatal for Warner’s acerbic, alienated new production of The School for Scandal. Overstyling Sheridan’s most stylised of comedies, Warner turns what Hazlitt described as the most “finished and faultless” play into a mass of tensions, exaggerations and contradictions. The result can be exhilarating in the moment, but wears off into confusion and a slight headache.

It's all rather stylish, but also rather familiar

Share this article

Comments

That's a pretty fair review - you should warn people to get there early for the pre-curtain show as well! I thought this production rang lots of contemporary bells for our age of Twitter, celebrity journalism and super injunctions as I explain here: http://www.charliebeckett.org/?p=4469

An excellent review of a problematic production. There's much to enjoy, but it gets a bit lost in morasses of time in which, particularly in the first half, you wonder when the play is actually going to get started. Then at the end, it's all resolved far too neatly. Despite all that I had a good night out. Howard and Shrapnel are excellent, but Leo Bill steals the show as Charles - as you rightly inimate.

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters