theartsdesk at the Buxton Festival: An Opera a Day | reviews, news & interviews
theartsdesk at the Buxton Festival: An Opera a Day
theartsdesk at the Buxton Festival: An Opera a Day
A national treasure goes from strength to strength mixing neglected and new
Tuesday, 19 July 2011
Wendy Dawn Thompson in 'Mignon' impresses as a girl abducted by circus folk
An opera a day keeps boredom at bay. There’s no danger of boredom in Buxton in mid-July. Set 1,000ft up in the Derbyshire hills, on the edge of the Peak District, and blessed with an Edwardian gem of an opera house, the old spa town is now well established with its own place on the festival map. And when the sun shines on it, as it did for most of the first day, it’s a picture.
An opera a day keeps boredom at bay. There’s no danger of boredom in Buxton in mid-July. Set 1,000ft up in the Derbyshire hills, on the edge of the Peak District, and blessed with an Edwardian gem of an opera house, the old spa town is now well established with its own place on the festival map. And when the sun shines on it, as it did for most of the first day, it’s a picture.
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Opera
Help to give theartsdesk a future!
Support our GoFundMe appeal
The Tales of Hoffmann, Royal Opera review - three-headed monster feels baggier than ever
Offenbach left multiple choices for his swansong, but this production lacks the key
Rigoletto, English National Opera review - another hit for Miller's Mob
More tragic than gimmicky, this classic staging can still succeed
theartsdesk at Wexford Festival Opera - let's make three operas
Donizetti triumphs, with help from Bernstein, Rossini, two stars and director Orpha Phelan
Albert Herring, Scottish Opera review - fun, frivolity, and fine music-making
A witty production of Britten's clever comedy that's bound to leave you smiling
Le nozze di Figaro, The Mozartists, Page, Cadogan Hall review - cogency, intelligence and reverence
A celebration of Mozart from the supreme stylists
A Midsummer Night’s Dream, Opera North review - one of the best and funniest
Perspex and bubblewrap for a Sixties take on Britten's Shakespeare
The Turn of the Screw, English National Opera review - Jamesian ambiguities chillingly preserved
Pity and terror in Ailish Tynan’s anguished Governess and Isabella Bywater’s production
Trouble in Tahiti/A Quiet Place, Linbury Theatre review - top cast plays unhappy families
Mini-masterpiece and splashy sequel carried off with as much conviction as they can take
Blond Eckbert, English Touring Opera review - dark deeds afoot in the woods
Judith Weir’s chamber opera explores Freudian themes through a modern lens
The Marrriage of Figaro, Opera Project, Tobacco Factory, Bristol review - small is beautiful indeed
Mozart opera in the round delivers intimacy and joy
Béatrice et Bénédict, Irish National Opera, National Concert Hall, Dublin review - sung and spoken triumph
Shakespeare from Fiona Shaw ballasts superbly performed Berlioz
Comments
...