Public Enemies, BBC One

I had been planning to speculate about what might happen in the finale of Public Enemies, but its three-night run was shifted back a day to accommmodate a Panorama special about the Stephen Lawrence case.

It frequently looked as if Friel had been condemned to a repeat of her recent role in ITV1's Without You, where she moped about neurotically and became convinced her husband had been murdered despite a complete lack of evidence (she was right, of course). Here, she was playing a parole officer on the edge, which gave her new opportunities to be anguished and tearful.

Paula had been too trusting of one of her previous clients, another paroled killer, who had convinced her that he was a reformed character before going out and killing again. Following a period of suspension, Paula was back at her desk and trying to put this traumatic failure behind her, but being given Mottram as her first client could hardly be regarded as winning the probation service lottery. You'd think he might have been delighted to be out of jail, but instead he kept complaining about the conditions in his bail hostel, couldn't understand why people might feel hostility towards a man who'd murdered his girlfriend, and resented his old mates because they hadn't visited him in prison frequently enough. "I'm out but I'm not free!" he wailed (Paula faces the press, pictured below).

It was part of writer Tony Marchant's purpose to evoke the pitfalls which plague former jailbirds trying to readjust to life on the other side of the wall, but Eddie would test the patience of a stone Buddha. Still, the part gave Mays plenty of space to charge around in - rather more than he'd enjoyed as Dr Livesey in Sky1's new Treasure Island - and his rubbery, sad-puppy face broadcasts shifts of emotion like an Aldis lamp. He threw himself into Eddie's wild mood swings from petulance and rage to schoolboyish delight, managing to convey the idea of a man whose experiences have stunted his emotional development and left him with a mental age somewhere in the mid-teens.

Less persuasive was the notion that Jade (Aisling Loftus, pictured below), the attractive young co-worker at the garden centre where Paula had managed to find Eddie a job, would immediately succumb to his difficult-to-discern charms, but they barely seemed to have met before they were rutting noisily in a toilet cubicle. He's having problems getting round to telling her what got him locked up for so long, though.

Predictably, Paula's habit of trusting people too readily is already coming back to haunt her, though the fact that she still hasn't learned how to control this potentially catastrophic urge doesn't bode well for her career development. She has let Eddie get away with provoking a violent encounter with the father of his murder victim, and he overstepped the boundaries again by confronting the solicitor who worked on his case. "You got a second chance, didn't ya?" he implored her. "Please trust me." Sure enough, those basset-hound eyes were just too much for her.

The episode ended, as it had to, with a twist. A desperate Eddie came hammering on Paula's door, yelling through the letterbox that he was an innocent man who hadn't murdered anyone. Will she believe him? I reckon she will.