dance
Extracts: John Tusa - Pain in the ArtsMonday, 16 June 2014
In the midst of ferment as the arts world faces fast-shrinking public subsidy, Sir John Tusa, former managing director of the BBC World Service and the Barbican Arts Centre, publishes this week a brisk new book that urges arts and politicians to reject the emotive clichés and lazy token battles and focus on what matters. In Pain in the Arts, Tusa urges that both sides take personal responsibility for an essential part of human life. Read more...
|
Hofesh Shechter: My Brighton Festival So FarFriday, 09 May 2014
On a lovely sunny Saturday morning the Children’s Parade was a really amazing start to things. The Brighton Festival team, the mayor and I started the parade, leading from the front for a few streets, then we went and watched from the side, wonderful, it made the hairs on my neck stand up. That evening was the first performance of my show Sun which opened the Festival and we had a big party afterwards. Not only that but it was my 39th birthday so it was a triple celebration. Read more... |
The Bolshoi acid trial begins - vitriol promisedFriday, 01 November 2013
Even by the grand Guignol standards of Russian ballet 2013, this week has been eventful. The trial of the Bolshoi dancer for attacking his boss with acid finally began on Tuesday, and with incredible, tension-ratcheting synchrony, the controversial, mouthy Bolshoi star who was fired in the summer for machinating against his leaders has been appointed to head Russia's world-famous ballet school. Read more... |
Technology's New Fields of Dreams in DanceThursday, 27 June 2013
Technology and dance have long been ardent bedfellows. No other theatrical art gobbles up illusions and tricks quite as greedily and spits them out quite as intriguingly altered. Gaslight was a new technology without which the romantic ballets Giselle and La Sylphide could not have existed. Without electric light such exotic adventures in sunshine as Le Corsaire or Don Quixote could not have partied over the late 19th-century St Petersburg stage. Read more... |
theartsdesk in Perm: To Russia With RomeoSunday, 09 June 2013
If you look at a map of Russia, you will find the city of Perm just west of the spine of the Ural Mountains which divides European Russia from Asia, about 720 miles north-east of Moscow. Just under two hours away by plane, you only understand the reality of its remoteness going there by Russian train: 24 hours’ slow chug through endless forests of silver birch, pines and bog, only occasionally enlivened by the startling yellow of kingcups. Read more... |
Still Shocking - The Rite of Spring 100 Years OnMonday, 01 April 2013
Victims driven to death by the mob, women and men violently rutting in animal costumes, a black comedy about a snatched baby, a naked man dancing alone in his own fantasy - many and varied are the images in the nearly 200 danceworks created to the notorious Rite of Spring since its premiere exactly a century ago. Read more... |
Sylvie Guillem on resurrecting Marguerite & ArmandTuesday, 19 February 2013
There's grand larceny afoot in the Royal Opera House. Two of today's stars are stealing Fonteyn and Nureyev's signature ballet, and they're leaving some spectators' cherished beliefs shattered in pieces around them. Read more... |
Dance: The Best of 2012Saturday, 29 December 2012
Offstage dramas made more waves than onstage, where dance-followers have much less to see, and a prospect of still less in this arid immediate future. Read more... |
Black-Out Ballet: The Invisible Woman of British BalletTuesday, 11 December 2012
In 2006 an elderly dancer died in Bexhill-on-Sea, Sussex. She was 88, and had once been one of Britain's most recognised ballerinas. Why did she die in obscurity? Why is the great ballet company that she ran now a forgotten name? This was what I set out to explore in a BBC Radio 4 documentary which aired yesterday. Inglesby's story has the improbability of an epic. Read more... |
Royal Opera House chief Tony Hall to the BBC - now what?Thursday, 22 November 2012
So Tony Hall moves from heading the Royal Opera House to taking over the BBC as its new Director-General. I can't for a moment imagine a rerun of that crucial mini-conversation between Helen Boaden and George Entwistle over the Jimmy Savile programming (if you can remember all the way back to mid-October through the cannonfire since) taking anything like a similar course had it been Tony Hall rather than Entwistle. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...
Here We Are, National Theatre review - Sondheim's sensa...
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....
Riefenstahl review - fascinating fascism? Portrait of the Na...
There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...
Giant, Harold Pinter Theatre review - incendiary Roald Dahl...
When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...
'Classic-era prog’s Olympian pinnacle': Pink Floyd...
Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...
The Surfer review - Nicolas Cage is relentlessly down and ou...
“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...