dance
Men in Motion II, Sadler's Wells TheatreThursday, 15 March 2012
This show was intended to be all about the men (see title). But it was the woman in motion who stormed off with the honours in this second edition of what has become tagged as the Sergei Polunin show. Read more...
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Can We Talk About This? DV8 Physical Theatre, National TheatreTuesday, 13 March 2012
“Do you feel morally superior to the Taliban? Well, do you?” And we’re off, with another of director/choreographer Lloyd Newson’s interrogations of a taboo subject. DV8 Physical Theatre is 25 years old this season, yet if anything, it, and Newson, have become more challenging, not less as the years go by. Read more... |
Romeo and Juliet, Royal BalletSunday, 11 March 2012
Better late than never. It took till Act 3 for a new Juliet to fledge her wings and shed the nervous caution, but Melissa Hamilton, debuting yesterday afternoon in probably the Royal Ballet’s most coveted ballerina role, suddenly did what we all knew she could, and after a subdued first act seized the drama and the story. And, in Romeo’s phrase, light broke - the sun in the east. A fair new Juliet. Read more... |
Nederlands Dans Theater 2, Sadler’s WellsWednesday, 07 March 2012
NDT2 is a fascinating beast. The “junior” company of the venerable Nederlands Dans Theater, it features dancers on the cusp of maturity, aged generally between sixteen and their mid-twenties. Here, in choreography created especially for them, one can watch talent develop. And since the grown-up NDT-ers are known as some of the most exhilaratingly talented dancers in Europe, that is something very special. Read more... |
Russian Ballet Icons Gala: Celebrating Anna Pavlova, London ColiseumMonday, 05 March 2012
Fokine, the founding choreographer of the Ballets Russes, wrote on Anna Pavlova’s death, “Pavlova will be the dream of many generations, a dream of beauty, of the gladness of movement.” The superb array of international stars of ballet last night showing up at the Coliseum to honour Pavlova a century later had to set you thinking, all over again, about why this particular ballerina remains worldwide the epitome of what people imagine about the ballet. Read more... |
Daphnis & Chloë/ The Two Pigeons, Birmingham Royal Ballet, Birmingham HippodromeSaturday, 03 March 2012
There must be a protest movement going on in Birmingham’s ballet against London’s - if down south they insist on Kenneth MacMillan’s box-office blasters, so in the Midlands it’s Frederick Ashton’s more fragile work that reigns. BRB director David Bintley’s northern chip on the shoulder has its uses, and especially this spring. Read more... |
Richard Alston Dance Company, Sadler’s WellsThursday, 01 March 2012
The one thing you can count on at an Alston evening is the quality of the music: everything Alston does, and everything he creates for his dancers, revolves around the music. In his wonderful Roughcut, Steve Reich’s New York Counterpoint for clarinet and tape begins before the house lights dim, his sharp, vibrant phrases giving a sense of urgency to the audience before they have even settled down. Read more... |
Hobson's Choice, Birmingham Royal Ballet, Birmingham HippodromeThursday, 23 February 2012
It's a rare ballet where the culmination you hope for is that the young guy gets to take over the business (an idea for a Murdoch ballet there, one day?). David Bintley's Hobson's Choice is surely his very best work, unmitigated pleasure for the spectator - an innocent, beautifully executed period comedy full of atmosphere, good characters, a perfect emotional arc and a perfectly brilliant musical score. None of this is simple to carry off. Read more... |
Fuenteovejuna, Antonio Gades Company, Sadler's WellsWednesday, 15 February 2012
Flamenco is a fervently political dance language, riddled with subversion of class and gender rankings, honouring old people, hallowing sexual prowess, relishing mavericks, and yet commanding a special symbolic force when it's disciplined into a cuerpo de baile. Read more... |
The Rodin Project, Russell Maliphant Company, Sadler's WellsMonday, 06 February 2012
Like a bleached Mount Parnassus for the gods, pouring linen down steep slopes in foaming white rivers, streaming white curtains up into heaven, few stage sets I’ve seen for a dance piece have been as captivatingly gorgeous as Es Devlin and Bronia Housman’s mountainous creation for Russell Maliphant’s new work. The dancers too are draped in white like gods - or statues to be unwrapped from dust-sheets. Read more... |
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