dance
Hofesh Shechter, Political Mother: The Choreographer's Cut, Sadler's WellsTuesday, 12 July 2011
Only three years ago, Hofesh Shechter, the Israeli-born, London-based choreographer, made the leap into the big leagues, almost overnight, with his Uprising/In Your Rooms double bill. The following year he produced a "Choreographer’s Cut", a bulked-up version in the Roundhouse, part dance, part gig. 2010’s Political Mother was received with rapture, so what next? Read more...
|
Sylvie Guillem, 6000 Miles Away, Sadler's Wells TheatreThursday, 07 July 2011
Sylvie Guillem is back, chicken-skinny, middle-aged, dressed like a dowd. Did I just write that? And let’s add: as swift as mercury, as exact as a feather, as light as the sun, and as eternal in intelligent beauty as Nefertiti. In contemporary dance, as I was saying at the weekend, it should be permissible to sit in the dark wondering at the inexplicable and the unbelievable. This great ballerina of our era is both inexplicable and unbelievable, in physique and in temperament. Read more... |
Contemporary Dance Weekend, BBC FourSaturday, 02 July 2011
Yesterday was a day when male physicality and the science of movement preoccupied - when you watch Rafa Nadal or Jo-Wilfried Tsonga, you can’t help thinking about the contrasts of grace that achieve the same athletic needs; Nadal the pouncing cheetah, the rich, weighty speed of Tsonga. Thing is, when you watch programmes about the greatness of tennis, they don’t try to persuade you that it’s just as good to watch if you yourself learn to play and get it filmed for the public's delight... Read more... |
Joanna MacGregor, Wigmore Hall/ Sol Picó, Sadler's Wells TheatreSunday, 26 June 2011
The two-course evening out is made possible by the Wigmore Hall’s late Friday-night concerts, so if you get out of a central-London show - or dinner - by, say, 9.30, you can add a second layer of entertainment at 10. In my case, a ferociously poor hour spent at contemporary dance in Sadler’s Wells was offset by an hour with Joanna MacGregor in a stimulating splicing of Bach and Shostakovich piano music that at least offered something to think about, if not ultimate satisfaction. Evening... Read more... |
Romeo and Juliet, Royal Ballet, O2 ArenaFriday, 17 June 2011
The Royal Ballet says it is inviting a new audience to experience the thrill of live ballet by taking Romeo and Juliet to the gigantic O2. Beware what you wish for. It’s the thrill of the live audience I’m starting with before I get onto the splendid show. Sweet packets rustled behind my ear, fish and chips were wolfed nearby, pizza shared, drinks slurped. People were still entering in droves 30 minutes after the start, obstructing the view of Juliet’s first scene. People were late... Read more... |
Strictly Gershwin, English National Ballet, Royal Albert HallFriday, 10 June 2011
Mark Twain once wrote of his experience of going to German opera. It starts at 6, he said, and they sing for four hours. Then you look at your watch, and it’s 6.15. This is also an all-too-accurate description of a night at English National Ballet’s Strictly Gershwin. Except that I began to look at my watch after 10 minutes. Old-fashioned ballroom sequins have Derek Deane fatally in thrall Read more... |
Michael Clark Company, th, Tate ModernWednesday, 08 June 2011
Michael Clark brings dancers into Tate Modern in a long shadow cast by some memorable events from choreographers Merce Cunningham and Trisha Brown. Now the ground on which Ai Weiwei’s poignant porcelain seeds were piled is swept clean and laid with a striking white-and-black dance floor, with audience seats arrayed on three sides and the massive height of the Turbine Hall politely decked with spotlights.
Read more...
|
Dave St-Pierre Company, Un Peu de Tendresse, Sadler's WellsFriday, 03 June 2011
When asked if I wanted to go and see two dozen naked Canadians doing audience participation, the answer was, self-evidently, nonononononononono. And then, for good measure, NO. Well, I’m here to tell you, I was wrong. Wrong, wrong, wrong. And I apologise to Dave St-Pierre and Company for my foolish prejudices. Un Peu de Tendresse Bordel de Merde ("A little tenderness, for Pete's sake") is an amazing evening of theatre. Read more... |
Manon, Royal BalletThursday, 02 June 2011
If an excess of enthusiasm troubles you, look away now. Because this is less a review, more a love letter. Alina Cojocaru has been astonishing audiences for more than a dozen years. Regular ballet-goers attend her performances expecting to be thrilled. I went expecting to be thrilled. What I didn’t expect was to have a ballet I have been watching for 30-odd years suddenly seem new. Read more... |
Scènes de Ballet/ Voluntaries/ The Rite of Spring, Royal BalletSaturday, 28 May 2011
Programming a mixed bill is a very delicate art, and what seems like an interesting mix to one person might appear to be an entirely random series of choices to another. The Royal’s new triple is the perfect example. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Album: The Innocence Mission - Midwinter Swimmers
A sycamore tree is described to an appaloosa horse before it is mounted to ride off to visit a friend. The thread used for sewing evokes a map...
Witches review - beyond the broomstick, the cat, and the po...
From James I’s campaign to wipe out witchery to the feuding sister sorceresses of The Wizard of Oz and the new film musical ...
EFG London Jazz Festival round-up review - youth, age, and t...
Jazz music crosses, mixes and unites generations, and the 10 concerts I’ve seen at this year’s EFG London Jazz Festival (out of more than 300 in...
First Person: singer-songwriter Sam Amidon on working in Din...
Walking in the morning from my Airbnb along the road in West Kerry...
EFG London Jazz Festival 2024 round-up review - from Korean...
November can be a month to hunker down for the onset of winter and its weather, and where better to do that than in one of the myriad venues...
All's Well That Ends Well, Sam Wanamaker Playhouse revi...
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught...
Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall rev...
There were points when this concert felt like the musical equivalent of watching the atom...
Album: Alice Ivy - Do What Makes You Happy
What’s to be said about an album that’s half well-executed body-moving,...
Music Reissues Weekly: Stefan Gnyś - Horizoning
For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single...