thu 21/08/2025

dance

Bonachela Dance Company, Queen Elizabeth Hall

Ismene Brown

A modern choreographer has arrived when he gets to run two companies in parallel, the institution that appoints him director, and - as a sort of personal couture line - his own group. Wayne McGregor does it with the Royal Ballet and his Random Dance, now it’s Rafael Bonachela who took on Sydney Dance Company at the end of last year, while retaining his own Bonachela Dance Company at the South Bank Centre.

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Goldberg, Linbury Studio Theatre

Ismene Brown

At last a seriously good new ballet created not just inside the Royal Opera House’s bunker-like Linbury Studio Theatre but actually making complete sense of its space and atmosphere. Kim Brandstrup’s new creation with the Royal Ballet star Tamara Rojo, Goldberg, is a beautiful, grown-up piece of fine musical feeling and drama, and with a design and lighting scheme to die for.

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Insane in the Brain, Peacock Theatre

Ismene Brown

On Britain’s Got Talent this year Diversity and Flawless raised the bar for street dance as far as mass British audiences were concerned, a public increasingly schooled by Sadler’s Wells’ smart and eclectic annual spring hip-hop festival. So Bounce, the Swedish crew  returning to London with its 2006 version of Ken Kesey’s One Flew Over the Cuckoo’s Nest, has new standards to compete with.

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Zeitung, Rosas, Sadler's Wells

Ismene Brown

Having felt thoroughly racked by Anne Teresa De Keersmaeker’s marathonian and bone-dry Rosas danst Rosas on Wednesday, I was hardly expecting charm and beguilement from the even longer Zeitung last night. But Zeitung is one of the most delightful and intelligent evenings about modern dance’s volatile relationship with classical music that I’ve seen.

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Rosas danst Rosas, Sadler's Wells

Ismene Brown

There’s a sly in-joke in the plastering of Mark Morris posters over Sadler’s Wells when Anne Teresa De Keersmaeker’s Rosas are currently inside it. Morris, the waggish American choreographer whose publicity shouts “Joy, Pure Joy”, dubbed her “De Tearjerker” when she followed him into the prestigious position of resident choreographer at Brussels’ Théâtre de la Monnaie.

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Eonnagata, Sylvie Guillem/ Robert LePage/ Russell Maliphant, Sadler’s Wells

Ismene Brown

With five first-magnitude stars in it you're expecting at least a five-star show from Eonnagata, the collaboration between ballerina Sylvie Guillem, theatre director Robert Lepage, choreographer Russell Maliphant, designer Alexander McQueen and lighting genius Michael Hulls - possibly even the Milky Way. But I can't divvy up more than two stars for the result.

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