12 Films of Christmas: Black Christmas

Flanked by the wonderfully weird tagline, “If this picture doesn’t make your skin crawl…it’s on TOO TIGHT”, 1974’s Black Christmas is amongst the first fully formed slasher pics. Based on a series of murders that took place in Quebec, this Canadian contribution to the festive canon is dripping with seasonal cynicism.

Black Christmas boasts a seriously impressive cast: Olivia Hussey plays our seemingly prim heroine Jess; stage star and comedian Andrea Martin is her housemate Phyl; John Saxon’s a concerned copper. But best of all are Marian Waldman as the alcoholic sorority mother, whose booze is stashed all over the house, and Margot Kidder as the appositely named sorority sister Barb, who spits insults with style. During a call home Barb snipes, “You’re a real gold-plated whore, Mother” and she sums up Jess with the withering, “I know a professional virgin when I see one”.

While the lunatic lurking in their loft undoubtedly has major issues with women, Black Christmas itself is far from misogynist fare - unlike many of the films it later inspired. Its killer channels a societal fear of female empowerment and sexuality but its women remain sympathetic, thrillingly smart, characterful and clothed. A key subplot involves Jess’ decision to have an abortion, having chosen her own ambitions over settling down with boyfriend Peter (Keir Dullea, 2001: A Space Odyssey) – his reaction to this is tellingly depicted as completely deranged.

With its POV stalking, house of horrors, unseen killer, youthful victims and “final girl” this is a terrifying trailblazer. Admittedly Halloween (1978) did it (slightly) better, but Black Christmas did it first. Clark would go on to direct the more conventionally festive A Christmas Story in 1983 but his fifth film’s verdict on Christmas is a wickedly dismissive: “ho ho ho shit”.

Follow @EmmaSimmonds on Twitter

Watch the trailer for Black Christmas