The Wolfman | reviews, news & interviews
The Wolfman
The Wolfman
Cheap thrills, expensively remade: give this the silver bullet
Wednesday, 10 February 2010
Return of the hairy cornflake: somewhere in there is Benicio Del Toro, star of The Wolfman
It was down to technological error that Spielberg couldn’t show you much shark. The mechanised rubber fish wasn’t working properly on set, but the studio told the director to carry on shooting anyway. Result: a genuinely terrifying film. Filmmakers have always known that the thing unseen is exponentially more unsettling that the unveiled object, there for all to gawp at. Filmmakers don’t always go by what they know. Hence Benicio Del Toro’s werewolf with its remarkable physical likeness to Dave Lee Travis.
It was down to technological error that Spielberg couldn’t show you much shark. The mechanised rubber fish wasn’t working properly on set, but the studio told the director to carry on shooting anyway. Result: a genuinely terrifying film. Filmmakers have always known that the thing unseen is exponentially more unsettling that the unveiled object, there for all to gawp at. Filmmakers don’t always go by what they know. Hence Benicio Del Toro’s werewolf with its remarkable physical likeness to Dave Lee Travis.
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Film
Magic Farm review - numpties from the Nineties
A comedy about youth TV putting trends above truth
Good One review - a life lesson in the wild with her dad and his pal
A wise-beyond-her-years teen discovers male limitations in a deft indie drama
E.1027 - Eileen Gray and the House by the Sea review - dull docu-fiction take on the designer-architect
Iconic Irish modernist Eileen Gray gets an artsy and overly reverential appraisal
The Marching Band review - what's the French for 'Brassed Off'?
Brothers suddenly united in blood kinship – and music
The Last Musician of Auschwitz review - a haunting testament
When fine music was played in a death factory
DVD/Blu-ray: Slade in Flame
One of the great rock movies gets a 50th anniversary revival
Riefenstahl review - fascinating fascism? Portrait of the Nazis' favourite film-maker
A new documentary unlocks the archive of the woman who directed 'Triumph of the Will'
The Surfer review - Nicolas Cage is relentlessly down and out in western Australia
Irish director Lorcan Finnegan's manic take on macho surfer culture
Desire: The Carl Craig Story review - a worthy, brand-conscious encomium for a techno star
Documentary on the Detroit electronic music producer borders on hagiographic
Words of War review - portrait of a doomed truth-seeker in Putin's Russia
Maxine Peake gives a poignant performance as the fearless reporter Anna Politkovskaya
theartsdesk Q&A: Gary Oldman on playing John Cheever in 'Parthenope' and beating the booze
Exclusive: A candid interview with the master actor
Blu-ray: Laurel & Hardy - The Silent Years (1928)
Ten more early shorts, handsomely restored and annotated
Add comment