Intriguing news from Yorkshire. Woody Allen’s new film has been booked to open the Bradford International Film Festival. When Allen’s love affair with Manhattan came to an end, he sought creative reinvention by defecting to Europe. Match Point was no one’s idea of an Allen classic and even Vicky Cristina Barcelona, widely hailed as a return to form, was (for this viewer) far too heavily reliant on voiceover, even if it did earn an Academy Award for Penelope Cruz as a sultry Hispanic hysteric.

“When you write for film, the dialogue is like the voice, if you like, and I always consider that as part of the music,” said John Barry, who died on 30 January. “Certain orchestral textures have to match the texture of the scene. You deal with the lightness and darkness of the scene when you write music for cinema. The film is a part of the score, and you can't get away from that.

Of the other Best Picture Oscar nominees, David O Russell’s The Fighter has seven nominations, Danny Boyle’s 127 Hours and Darren Aronofsky’s Black Swan six apiece, the animated Toy Story 3, directed by Lee Unkrich, has five, and two indies, Lisa Cholodenko’s The Kids Are All Right and Debra Granik’s Winter's Bone, have four each.

Pete Postlethwaite, who has died from cancer at the age of 64, was an extremely amicable man whom Hollywood had down as a lugubrious baddie. It happened in Aliens 3, in The Usual Suspects, in The Lost World: Jurassic Park.

Some rare restored film of pre-First World War Europe, shot by intrepid travelling cameramen from 1905 to 1926, is being shown tomorrow in an intriguing event at Europe House, the new home of the EU in London. Travelogues were a very popular early use of film, and cameramen competed to bring back the most spectacular footage or most exotic action from abroad, in order to have their film used on early cinema programmes which, before the age of feature films, were composed of several short films.

This is the second part of a series that has passed a little too quietly for comfort. The V&A’s grand Diaghilev show has received all the noise in the press – “fabulous”, “sumptuous”, “exotic” – in fact, all the words that were used at the time to describe Diaghilev’s company. The only word that isn’t being used is “dancer” – we get relatively little chance to think about movement in South Kensington. However, Jane Pritchard, curator of that show, has now redressed the balance on the South Bank with a remarkable collection of films.

Of all the schools of film which were allowed to sprout behind the Iron Curtain, it was in Czechslovakia which contrived to export its work most successfully to the West.

The Arts Council of England has escaped the government axe - unlike the UK Film Council. Reports over the past week or two paint a grim picture of diminishing arts budgets in Scotland, Wales and England while the Conservative-Lib Dem Government takes its machete to what it considers the fat in public spending.

The ACE is already implementing a £23 million cut in its 2010-11 budgets originally set at £468 million - £4million ordered last year in Darling's budget, another £19million now. Detailed budgets for supported arts organisations will become clearer over the autumn.