Last night the latest segment of the BBC’s new online soap for teens played on computer screens across the land. OK, if we’re splitting hairs, it wasn’t technically last night. The show is streamed every afternoon at ten past five. However, the grand Panjandrum who pulls most of the strings round here advises that frontloading your opening paragraph with last+night this and last+night that will hoik you rapidly up the squash ladder that is Google Search. Which is why last night - around about teatime - I got to thinking about the title. Why The Cut?
tv reviews
Jasper Rees
The Beeb’s bold new experiment continues: to dish out a daily online teen soap in five-minute episodes. Am just about over the cyber-stress of Sunday’s part one. Couple of streaming issues were in play. Basically my laptop took to it like a boa wolfing down a rhino. All ironed out now. I can happily report that part two didn’t even touch the sides.
gerard.gilbert
Design for Life is a new BBC2 series about the philosophy of Philippe Starck, he of the iconic ‘space rocket’ lemon-juicer, in the form of an Apprentice-style reality show. It was also an intriguing insight into the control exercised by producers of such shows - for, unlike The Apprentice et al, the choice of contestants and the nature of the challenges were left to Starck himself. ‘Bloody terrifying’ was how Joe Houlihan, the executive producer, described to me the experience of delegating his powers to somebody who didn’t have the imperatives of television foremost in his mind.
Jasper Rees
Appointment-to-view content. That’s what they’re calling it. Not drama. Not soap. Content. Which you have to make an appointment to view. Although you actually don’t because it’s all on the iPlayer but let's let that pass. Here I am on BBC Switch, 8.10 sharp, for the Beeb’s first online daily soap, The Cut.
Adam Sweeting
Caught in a crossfire between licence-payers and rival media groups, the BBC has reached the frankly surreal conclusion that the answer is to cut down on imported programmes. Luckily Harper's Island (BBC3) has snuck in under the wire.
gerard.gilbert
BBC3 must sometimes feel very strange to its target audience – reflecting back a gallery of skunk-addled obese teenage single-mums not far removed from the nightmares of a Daily Mail reader. There’s no doubting the fruits of its comedy department however, and the likes of Man Stroke Woman, Monkey Dust, The Mighty Boosh, Gavin and Stacey and Being Human are shows that any averagely well-adjusted 16-34-year-old might actually enjoy. The sparky new student sitcom Off the Hook looks set to join that list. But Lunch Monkeys? Sadly, nah.
Adam Sweeting
In July the BBC brought us Freefall, writer/director Dominic Savage's credit crunch drama. It was a crude morality tale of greed and gullibility, just about compensating for its blatantly schematic characters with sheer pace. With The Last Days Of Lehman Brothers (BBC2), writer Craig Warner and director Michael Samuels set themselves an altogether trickier proposition, to dramatise the boardroom power-plays that ended in the collapse of American mega-bank Lehman Brothers on September 12 last year.
Adam Sweeting
Slickness is not always a virtue in a television presenter, and Katherine Jenkins (The Week We Went To War, BBC1) has some way to go before she risks being accused of it. Her chief weapons are her blonde hair, cleavage and searchlight smile -- she isn't so much the new Vera Lynn as one of those pneumatic dream-babes that American aircrews used to paint on the noses of their B17s -- but even so she struggles to conquer a script that wallows like a torpedoed freighter.
Adam Sweeting
Oasis have split up, but The Beatles keep getting bigger. This week, in a synchronised splurge of Beatle product of almost D-Day like proportions, their complete remastered albums are being reissued, the group appear in virtual form in the computer game The Beatles: Rock Band, and the BBC continues the Beatles Week which kicked off in a blaze of Kleenex-moistening nostalgia on Saturday.