sun 16/06/2024

Album: King Krule - Space Heavy | reviews, news & interviews

Album: King Krule - Space Heavy

Album: King Krule - Space Heavy

Archy Marshall’s fourth album as King Krule is a sombre, but surprisingly warm, meditation on love, loss and space

Keeping afloat in space

At first, I misread the title of the lead single “Seaforth” from King Krule’s fourth album, Space Heavy, as “Sea Froth”. It felt like a fitting title, combining the watery motif that runs through all of Archy Marshall’s music with a grimy image of frothy, decaying algae. This was after all the same artist whose 2017 album, The Ooz, was named after human gunk.

Whereas King Krule’s past three albums have felt submerged in murky water, “Seaforth”´s jangly riff and the sound of waves on the shore hinted at the nihilistic troubadour from South London coming up for air. On the track, it felt like the clammy anxiety of 2020’s Man Alive! had turned into stoned bliss: “We sat and watched the planet die in urban burn / We sat and smiled with no concern” he sings. As a single it’s a perfect stage setter for Space Heavy – an album about a relationship crumbling set to some of the warmest music Marshall has recorded.

This album feels like Marshall’s most immediately autobiographical. Seaforth, for example, is the name of a seaside town outside of Liverpool, the city where Marshall has been living part time for the past two years, “train to the coast/ 4 hours a week” he deadpans on closing track “Wednesday Overcast”. The album was written on these commutes and orbits around a fractured relationship, opener “Flimsier” begins with an ending: “you called it a day/ and now it’s through”. The word “space” is mulled over in these songs like a sore tooth, almost as if the album was spurred on by a conversation that began with: “I think we need some space”.

With sombre meditations on losing connection, being lost in the vacuum of space and eating a burger by yourself in a park, Space Heavy is King Krule’s least abrasive album. There are still moments of dingy post-punk and wheezing saxophone on “Hamburgerphobia” and “Pink Shell”, but on a majority of these songs Marshall strums his guitar with a new lightness, the warm tone shimmers like a Cocteau Twins song. On “That is my life, That is yours” and “Flimsy” he grazes around a pleasant C major chord.

Archy Marshall is a master of texture and collage, which he has used to paint visceral, grimy portraits with on his previous three albums – On Space Heavy it is fascinating hearing him work with a warmer palette, even though the end result is not quite as richly coloured in.

Marshall strums his guitar with a new lightness, the warm tone shimmers like a Cocteau Twins song


Editor Rating: 
Average: 4 (1 vote)

Explore topics

Share this article

Add comment

Subscribe to

Thank you for continuing to read our work on For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a gift subscription?


Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters