fri 18/10/2019

CD: Naomi Bedford & Paul Simmonds - Singing It All Back Home: Appalachian Ballads of English and Scottish Origin | reviews, news & interviews

CD: Naomi Bedford & Paul Simmonds - Singing It All Back Home: Appalachian Ballads of English and Scottish Origin

CD: Naomi Bedford & Paul Simmonds - Singing It All Back Home: Appalachian Ballads of English and Scottish Origin

First-rate folk music that defines that special relationship

An album celebrating the transatlantic ties that bind

Outside the Palladium a couple of months back for Joan Baez’s farewell, I was given a flyer for this album – by Naomi Bedford herself it turns out. We had a brief chat which left me with a good feeling about the project and I was disappointed to see I’d be away for the London concert marking the launch of Singing It All Back Home: Appalachian Ballads of English and Scottish Origin

My intuition was correct for this, the fourth outing from Bedford and Simmonds and a talented group of confrères, among them Ben Walker on banjo, Rhys Lovell on bass and Ben Paley (son of the late and legendary Tom Paley, who worked with Woody Guthrie and various Seeger family members) on fiddle is a keeper and it’s sent me back to the three CDs I missed: in order, Dark They Were and Golden-EyedTales of the Weeping Willow, and Songs My Ruiner Gave to Me, the latter featuring ballads of “Madness, Love and Obsession”. 

Each is beautifully curated and Bedford’s work has quite deservedly caught the attention of Jools Holland and the legendary Shirley Collins “who generously donated her time, encouragement and research materials” to this new album. Bedford has also been a BBC Folk Award 2015 nominee – and let’s hope soon a winner.  

To be sure, Bedford sounds English but her voice and style could easily have come straight from Appalachia, or further south – there were moments when I was reminded of Dolly Parton’s silvery-rain voice, so it’s no surprise to discover that Bedford had recorded “Jolene”, which suits her well. 

The “special relationship” that binds these islands with America is folk music: the songs that left England with the Pilgrim Fathers, Scotland with the Highland clearances, and Ireland with the famine, and which travelled across the States, appearing in different versions that were identified and collected by such figures as Cecil Sharp, Alan Lomax and Shirley Collins, and Jean Ritchie, and then traced back to the British  Isles. On both sides of the Atlantic, the folk revival brought them to a general audience – and of course in the 1960s, folk went electric, folk-rock sent "home" from the US to Britain.

Socially and musically, that history matters – and it clearly matters to Bedford and Simmonds as they “sing it back home” on an album that features some quite exquisite arrangements of songs including the great “Matty Groves” (familiar in outline from Baez and Fairport Convention), “I Must and Will Be Married” and “The Foggy Dew”, on which Bedford’s magnificent voice is unaccompanied. “Hands on the Plough”, on which Rory McLeod blows a mean harmonica, bowls along nicely in a manner reminiscent of Cash and Carter. A version of it became a staple of civil rights marches: "Eyes on the Prize".

Singing It All Back Home is a splendid album that deserves to be recognised by all who bestow awards in this arena. This is living folk at its beautiful best. 

Liz Thomson's website

Add comment

Subscribe to

Thank you for continuing to read our work on For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a gift subscription?


Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Advertising feature


A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway


Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.



This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman


Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.


Book by 30 September and get tickets from £15*
with no booking fee.