sun 27/07/2025

New Music Reviews

Tanita Tikaram, Barbican

Matthew Wright

There’s scarcity value in a Tanita Tikaram gig these days. Like seeing a rare bird, you feel special for simply having been there. Last night, in a programme spanning her whole career, she made a strong case to be a songbird of unique character. Her originality is not ostentatious; it charms its way into your heart like a lullaby. Yet despite not inhabiting an obviously radical sound-world, by the end of a long and generous set, she had become compelling.

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theartsdesk on Vinyl 25: Pink Floyd, The Damned, Acid Arab, post-punk women and more

Thomas H Green

Vinyl is not a cute, retro, style statement. Well, OK, it can be. But it’s also an analogue format that’s as current as its user wants it to be. Aiding this process, for those who are determinedly forward-looking, is the Love turntable (main picture).

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Lost in France

Lisa-Marie Ferla

Pulling together a music documentary strikes me as a simple enough concept. Gather your talking heads in front of a nice enough backdrop, splice with archive footage in some semblance of a narrative order and there you go. There’s no need to, say, hire a minibus and attempt to recreate a near-mythological gig from 20 years ago.

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Reissue CDs Weekly: Bizarre

Kieron Tyler

On first pass, Beautica comes across as an exotic hybrid of 1991 school-of-Slowdive shoegazing and the fidgety music pre-Stereolab outfit McCarthy had perfected around 1989. But there’s something else; a lilting characteristic to the vocal melodies suggesting an inherent melancholy. Yet although the album’s makers were not bouncing with joy, the hymnal sense of reflection running throughout Bizarre’s Beautica is, contrastingly, uplifting.

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Josh Ritter, St Stephen's Church

Liz Thomson

The only British gig in Josh Ritter’s so-called work-in-progress tour took place in the somewhat unlikely venue of St Stephen’s Church, Shepherd’s Bush, a rather fine example of gothic revival style. It’s almost opposite Bush Hall, which would have been a more logical venue: an altar was not perhaps the most obvious setting for the Idaho-born alt folkie though the acoustics were splendid.

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Hevisaurus, RFH

Katie Colombus

The idea of a heavy metal rock band for children might be somewhat lacking in appeal for some. Images of leather and chains, frightening make-up, Anthrax-style roaring into a microphone and satanic lyrics for dear little Jonti, all a bit overwhelming.

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Barbara Dickson, Union Chapel

Liz Thomson

Mention the name “Barbara Dickson” and everyone remembers “I Know Him so Well”, the duet with Elaine Paige which hit the top spot in 1985, the era of big hair, shoulders pads and dry ice. That song didn’t feature in Dickson’s concert at Union Chapel, but those who came to hear her other top 20 hits – “Answer Me”, “Caravans” and “January February” – weren’t disappointed. The last was the appropriate opener on a frigid February eve, but like everything she played, it was totally reinvented....

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Reissue CDs Weekly: New Order

Kieron Tyler

The equipment pictured above is the Powertran 1024, one of the first digital sequencers to hit the market. According to the May 1981 issue of Electronics Today International magazine, which unveiled it to the public, the British-invented “1024 composer is a machine which will repeatedly cause a synthesiser to play a pre-determined series of notes either as short sequence or a large compositions of 1024 notes: i.e.

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Reissue CDs Weekly: Erasmo Carlos

Kieron Tyler

Erasmo Carlos got his break in August 1965 when the TV show Jovem Guarda (The Young Guard) began its run. Filmed before a live audience in São Paulo and broadcast nationally, it was pop as never seen before in Brazil.

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Martha Wainwright & Ed Harcourt, Roundhouse

Katie Colombus

The creative partnership between Ed Harcourt and Martha Wainwright is an intriguing one. He is an out and out showman, full of stage presence, bravado and tinged with thespiness. She is an introverted, quirky creative, flanked by the comfort of a full band. But there's no doubting that together they make beautiful music.

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