The Blue God/ The Firebird, Les Saisons Russes du XXI Siècle, London Coliseum | reviews, news & interviews
The Blue God/ The Firebird, Les Saisons Russes du XXI Siècle, London Coliseum
The Blue God/ The Firebird, Les Saisons Russes du XXI Siècle, London Coliseum
Russian Diaghilevfest kicks off with half-authentic homage to artistic fantasy
Wednesday, 13 April 2011
Ilze Liepa as the goddess in the Lotus Flower entwined with Nikolai Tsiskaridze's Blue GodM Logvinov
Anyone who feels, as I do, that the Aesthetic Movement's "cult of beauty" now on display at the Victoria and Albert Museum can't compare with the fabulous Ballets Russes exhibition which went before it can dine again on a feast of Russian colour at the Coliseum. You'll eventually be rewarded, in this Kremlin Ballet-based company's first show, with the closest to the spirit of 1910 a recent London Firebird has ever come. Whether the choreography and the music for The Blue God have more than the loosest connection with Diaghilev is another matter.
Anyone who feels, as I do, that the Aesthetic Movement's "cult of beauty" now on display at the Victoria and Albert Museum can't compare with the fabulous Ballets Russes exhibition which went before it can dine again on a feast of Russian colour at the Coliseum. You'll eventually be rewarded, in this Kremlin Ballet-based company's first show, with the closest to the spirit of 1910 a recent London Firebird has ever come. Whether the choreography and the music for The Blue God have more than the loosest connection with Diaghilev is another matter.
Ilze Liepa and Nikolai Tsiskaridze don't have much to do beyond posing, looking mysterious and/or gracious and imitating temple dance with elaborate arm movements
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