tue 22/10/2019

DVD: True Grit | reviews, news & interviews

DVD: True Grit

DVD: True Grit

Classic western gets a feminist makeover courtesy of the Coen brothers

The odd couple: Rooster Cogburn (Jeff Bridges) and Mattie Ross (Hailee Steinfeld)

As shoes to fill go, John Wayne’s dusty cowboy boots are about as big as it gets. So when the Coen brothers decided to take their shot at True Grit – the Charles Portis novel that finally won Wayne his Oscar – the world sat back with folded arms to see whether Jeff Bridges could grizzle and swagger his way into the role of one-eyed Rooster Cogburn that Wayne made so completely his own.

He does, but that’s rather beside the point; it’s 14-year-old Hailee Steinfeld as sternly pigtailed Mattie Ross (“a harpy in trousers”) who carries the film, reinstated to the rightful place of heroine in this rather more faithful adaptation. A straight genre piece, the quirky Coen touches find newly muted shades, bringing matte humour to the glossy period dialogue, and peopling the bit-parts with a menagerie of quirky characters.

As the marshall with “one foot on either side of the law”, Bridges is all unkempt whiskers and drawling tones, swaggering uncertainly about, like the threadbare rooster his name suggests. Almost unrecognisable under a luxuriant moustache, Matt Damon gets a rare and welcome opportunity to exercise his comedic muscles as Texas ranger LaBoeuf, the marshall’s city-slick rival.

The success of True Grit all comes back to Steinfeld however, the typewriter rattle of her precise period delivery balanced by her steady gaze and calm repartee. It is she who spices some of the western’s oldest conventions; the final shoot-out between cowboy and nemesis – Tom Chaney (a pleasingly feral Josh Brolin), murderer of Mattie’s father – takes new significance when it sees a young girl come face to face with a bearded psychopath, and the natural bathos it generates in no way undercuts the intensity of the scene.

The fairly basic extras include an extended interview with the articulate and enchanting Steinfeld, as well as input from Damon and Bridges. A featurette strips away the peeling facades of the Coens’ Fort Worth and explains the process of recreating the frontier town, complete with stripping trees of their leaves by hand, and covering telegraph poles in faux bark.   

Watch the trailer for True Grit

The success of True Grit all comes back to Steinfeld; the typewriter rattle of her precise period delivery balanced by her steady gaze and calm repartee

Share this article

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?


Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Advertising feature


A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway


Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.



This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman


Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.


Book by 30 September and get tickets from £15*
with no booking fee.