Death Cab for Cutie, O2 Academy Brixton | reviews, news & interviews
Death Cab for Cutie, O2 Academy Brixton
Death Cab for Cutie, O2 Academy Brixton
Seattle indie rockers get louder and more emotional
Friday, 08 July 2011
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/da497ded6b58ebe690c1a1ad4e7cb3a9.jpg?itok=fUFpbr_w)
Death Cab for Cutie: unexpectedly rocking
It’s not so much cultural differences that have hindered Death Cab for Cutie’s UK profile, it’s more the difficulty of making a name when “there just couldn’t be less scandal surrounding the band”. Or so guitarist Chris Walla feels. In the States their beautiful, emotionally muted music goes platinum and is featured in huge shows like the OC. But just as US audiences were hard to persuade of the charms of Pulp or Suede, so Death Cab’s strangely moving introspection has been here, by and large, niche. You’d never have known it, though, from the legions of fashionably dressed devotees at the Academy last night.
It’s not so much cultural differences that have hindered Death Cab for Cutie’s UK profile, it’s more the difficulty of making a name when “there just couldn’t be less scandal surrounding the band”. Or so guitarist Chris Walla feels. In the States their beautiful, emotionally muted music goes platinum and is featured in huge shows like the OC. But just as US audiences were hard to persuade of the charms of Pulp or Suede, so Death Cab’s strangely moving introspection has been here, by and large, niche. You’d never have known it, though, from the legions of fashionably dressed devotees at the Academy last night.
We go on stage dressed in our street clothes, and there’s no mountains of drugs and bar brawls
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