mon 09/12/2024

Albums of 2015: Jamie xx - In Colour | reviews, news & interviews

Albums of 2015: Jamie xx - In Colour

Albums of 2015: Jamie xx - In Colour

London DJ-producer leads a strong field with an unforced tribute to dance music

An album quite as bright as its cover art

Bar-debating recently, I argued that Jamie xx wasn’t a full crossover success, more a fringe thing. The next day I heard his gorgeous tune “Loud Places” playing as incidental music on the Strictly Come Dancing spin-off programme It Takes Two. So I was wrong. I am pleased to be. This album deserves the widest exposure possible.

The self-effacing producer has created a rich, wide-ranging smörgåsbord that dips into rave culture’s 27-year electronic journey without ever predictably replicating club styles or falling into pastiche. My full review ran in May so I don’t propose to rehash it, although after living with the album for a half year since I’ve added an extra star to the score.

2015 has been rich in decent albums so Jamie xx had plenty of competition. Mark Perry’s original London punks Alternative TV returned with the caustic, pin-sharp and much under-heard Opposing Forces album. It offered more visceral bite than 99% of guitar bands a third Perry’s age. The Ninja Tune stable gave us astoundingly consistent high-quality output, including three of the year’s finest, the stoned, melancholic, dancetronica of Howling’s Sacred Ground and Maribou State’s Portraits, and the hash-headed grooving of Yppah’s Tiny Pause, while other 1990s old hands, Leftfield, The Chemical Brothers, Squarepusher and The Prodigy all served up thoroughly enjoyable continuations of their differing missions.

My Motorhead fixation was satisfied with Bad Magic, unexpectedly so after the group’s feeble performance at Glastonbury, and hip hop hit home with QNC & AIM’s The Habit of a Lifetime and old hand KRS1’s polemic Now Hear This. The one album I could never have anticipated enjoying was the hammy theatrical blues-rock of Marilyn Manson’s The Pale Emperor, recommended to those who, like me, have always dismissed him.

None of the above, however, quite match the way Jamie xx’s In Colour combines rattling strong beats, rave MCs, late night vibes, daytime radio chart-pop, tropical beach ambience, singer-songwriter poignancy, steel bands, MDMA euphoria, original Chicago house vocals, barber-shop harmonies, electronic drive and sheer imagination, all wrapped up in a tight, accessible, exhilarating 40-minute package.

Overleaf: Watch the video for "Gosh"

A rich, wide-ranging smörgåsbord that dips into rave culture’s 27-year electronic journey without ever predictably replicating club styles

rating

Editor Rating: 
5
Average: 5 (1 vote)

Explore topics

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters