mon 23/12/2024

Life Itself review - epically vapid | reviews, news & interviews

Life Itself review - epically vapid

Life Itself review - epically vapid

Portmanteau film trades almost exclusively in platitudes

Deadly: Olivia Wilde and Oscar Isaac in 'Life Itself'

When life gives you lemons, make lemonade: that bromide is about the only one absent from the astonishingly bad Life Itself, which in actuality might require a stiff drink to make it through the film intact.

Folding together an interconnected set of stories told across continents and out of sequence, writer-director Dan Fogelman (of TV's This Is Us) hurls one tragedy after another at his hapless characters, none of them so serious that they can't be caught up in the tidal wave of triteness. By the time we're informed, near the end, that "life brings you to your knees", you may well be full of devotion that the final credits are about to roll. 

A separate bromide mentions the capacity of life to "surprise", in which case the prevailing question here is how the likes of Oscar Isaac, Annette Bening and Antonio Banderas ever responded to this material. Isaac bears the brunt of the opening reel, playing the newlywed husband, Will, of pregnant wife Olivia Wilde. Given to pouring Xanax and booze into his coffee, Will has a habit of wailing Bob Dylan at top volume and a therapist in Bening, an actress whose ongoing alertness remains undimmed no matter her surroundings. Bad things are set to befall Will, but "we'll get to that"  or so goes the sort of voiceover narration that alone makes one wonder how this script ever survived a first readthrough.Antonio Banderas in 'Life Itself'Leapfrogging between time and place and four separate but interwoven "chapters", the story spins onwards so as to include Will and Abby's child grown into adulthood and played by Olivia Cooke as a Whole Foods obsessive who wears her vegan tendencies as if rattling an invisible sabre. The narrative contorts itself this way and that, playing with fake news to such a degree that Donald Trump's daily rants seem a model of clarity by comparison. One breathes a comparative sigh of relief come the Spanish sequences  why Spain? Don't ask  that are pictorially interesting (how could Andalusia not be?) and allow Antonio Banderas to return very literally to home soil as a landowner ensnared in a love triangle that won't end prettily. Because, hey, life doesn't work that way. Yawn. 

The voiceover narration alone makes one wonder how this script ever survived a first readthrough

rating

Editor Rating: 
1
Average: 1 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters