The Killers, Cardiff Castle review - The Man arrives

A perfectly performed hit show, 15 years in the making

share this article

Brandon Flowers poses before a confetti explosion
Rob Loud

With the fabled fields of Glastonbury on the horizon, The Killers chose the equally mythic Cardiff Castle as their practice run. While Stormzy was making history on the Pyramid Stage, the Welsh capital played witness to a precision-engineered pop-rock spectacular, complete with pyros and an extravagant light show. Well, if you can’t make history, make memories.

They began big with a one-two punch of first-album bangers. “Jenny Was a Friend of Mine” led straight into “Mr Brightside”, a power play to drop their generational lads anthem so early, but it mainlined adrenaline straight through the crowd – and there was 15 years of tunes to back it up.It was a night of singalongs, from the rarely played “Glamorous Indie Rock & Roll” to electro-pop hit “Human”, in which the crowd insisted on pluralising the word “dancer” despite singer Brandon Flowers's best efforts. And what efforts they were – strutting around in a cowboy hat, mounting a “K” shaped keyboard, hitting high notes and higher kicks from first to last. As he rightly sings, he is “The Man”.

As one would expect for a Glastonbury warm-up, it was a festival-level show. Pink confetti cannons showered the audience, while golden sparks fell in front of a huge LCD screen. They certainly made every effort to give the crowd their money’s worth, though the same cannot be said about the promoters. Support act Yola, though excellent, is hardly a big name, and the men’s urinals were literally exposed to the bar. At over £80 a ticket, you’d expect more.The Killers at Cardiff Castle Still, the show itself was a hit-filled, perfectly performed joy. Though The Killers haven't maintained their early mega-success, they have more than enough big songs to fly through the set. And, in a touching tribute, they even played "Rain in the Summertime" by Welsh legends The Alarm, dedicated to singer Mike Peters whose battle with cancer has inspired so many.

The band ended the night on “All These Things That I’ve Done” and “When You Were Young”, two reliable classics that sent the audience home on a high. “Can you come and be our crowd tomorrow at Glastonbury?” Flowers asked as he basked in adoration. With a set that flawless, they’re bound to inspire the same response every time.

@OwenRichards91

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
As one would expect for a Glastonbury warm-up, it was a festival-level show

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction
Neo-folk songs that are woozy and atmospheric but thoroughly engaging