thu 29/05/2025

Owen Richards

Articles By Owen Richards

The Toll review - once upon a time in west Wales

Read more...

Black Bear review - unexpected knotty treat

Read more...

Sisters With Transistors review - the forgotten frontier

Read more...

Filmmaker Darius Marder: 'Deafness is a culture. That's not being PC'

Read more...

theartsdesk Q&A: Daryl Hall

Read more...

Baby Done review - romcom done right

Read more...

Filmmaker Frank Marshall: 'People don’t understand what geniuses The Bee Gees were'

Read more...

Mogul Mowgli review - displacement and generational trauma

Read more...

Filmmaker Bassam Tariq: 'Great cinema doesn't need to be perfect - embrace the imperfections'

Read more...

The Secret Garden review - blooming charming

Read more...

Time review - a stunning portait of enduring love

Read more...

Eternal Beauty review - imagination in every frame

Read more...

Miss Juneteenth review - a ray of Texan sunshine

Read more...

Directors Ian Bonhôte and Peter Ettedgui: 'The disability community is the world community'

Read more...

Young Ahmed review - jihadist drama misses the mark

Read more...

Album: Glass Animals - Dreamland

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Flying Dutchman, Opera Holland Park review - into the st...

Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden...

The Frogs, Southwark Playhouse review - great songs save upd...

As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a...

Album: Sally Shapiro - Ready to Live a Lie

Ready to Live a Lie is so sonically vaporous it almost isn’t there. While the album’s 11 tracks draw from continental European musical...

Il Trittico, Opéra de Paris review - reordered Puccini works...

So here in Paris, as at Salzburg in 2022, it’s no longer “Puccini’s Trittico” but “the Asmik Grigorian Trittico”. Which would be...

When the Light Breaks review - only lovers left alive

Grief takes unexpected turns over the course of a long Icelandic...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an...

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a...