fri 22/11/2024

Come As You Are review - a road trip with a difference | reviews, news & interviews

Come As You Are review - a road trip with a difference

Come As You Are review - a road trip with a difference

Comedy about sex and disability is full of heart and laughs

Clockwise from left: Gabourey Sidibe, Hayden Szeto, Ravi Patel and Grant Rosenmeyer

At a point in the early noughties, every third film was a teen comedy about a road trip to lose one's virginity. It’s a genre most were glad to see the back of. What a pleasant surprise Come As You Are is then, which brings much needed heart and relevancy to this tired trope.

Based on a true story, we follow Scotty, Matt and Mo as they travel to Montreal to visit a brothel. But this isn’t some sleezy trip – each of the characters has a physical disability, and with their parents as their primary carers, having an active sex life has been nearly impossible. So, with the support of driver/nurse Sam, they sneak into a van and head for the Canadian border.

Written by Erik Linthorst, who specialises in documentaries on neurodiversity, the film is a rare and much-needed representation of sex and disability. Having an active sex life is completely natural, but talking about it is still taboo. Come As You Are shows how difficult is must be having this conversation with your parents, and how your confidence can be affected by believing you’re physically incapable of having a fulfilled love life.Come As You AreBut to balance this serious subject matter, it is downright hilarious. Think American Pie crossed with Little Miss Sunshine. The characters share very little in common past their virginities, and this uneasy alliance is only amplified when their physically reliant on each other to make the journey. The jokes never fall on the characters’ disabilities, but rather their ingenious and occasionally ridiculous solutions. How exactly do two guys in wheelchairs and a visually impaired man make a quick getaway in a van?

For such an empathetic film, it’s a real disappointment the filmmakers did not cast people with disabilities for the leads. The actors give excellent performances, but this story is so specific to the disabled experience that it’s a massive missed opportunity. The story is based on the life of Asta Philpot, who actually cameos in the film as the proprietor of the brothel, so one has to assume he was fine with this casting decision, but it’s still a black mark.

The ending faulters too, forcing poignancy with a scene that has become quite a cliché in indie underdog movies (see The Shiny Shrimps). But this doesn’t detract from the preceding 80 minutes, which still has more heart and laughs than 90% of films out today.

@OwenRichards91

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters