Opera Reviews
The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent productionWednesday, 21 August 2024
On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side of the fourth wall, I can tell you that there’s plenty of crackling expectation and a touch of fear in the stalls, too. None more so than when the show is billed as a new musical. Read more... |
Le nozze di Figaro, Komische Oper Berlin, Edinburgh International Festival 2024 review - great singing wastedTuesday, 20 August 2024
I’m all in favour of the EIF taking artistic risks, and of them bringing a high-prestige international production to Edinburgh. This Marriage of Figaro from Berlin’s Komische Oper is both of those things, because it is the first production by Kirill Serebrennikov – the high profile Russian director, placed under house arrest by the Putin regime, now based in Berlin – to be seen in the UK. Read more... |
Oedipus Rex, Scottish Opera, Edinburgh International Festival 2024 review - beautifully uncomplexWednesday, 14 August 2024
Immersive opera such as this can be tricky to pull off, but the magic of Roxana Haines’s new production of Stravinsky’s Oedipus Rex lies in its simplicity, letting the material organically weave around the audience without overcomplications or deliberately clever trickery. Read more... |
Prom 24, The Fairy Queen, Les Arts Florissants/Le Jardin des Voix, Agnew review - hip-hop hornpipesWednesday, 07 August 2024
“One charming night gives more delight than a hundred lucky days”. So claims one of the gorgeous (and, in this case, risqué) numbers that stud Purcell’s “semi-opera” The Fairy Queen like sequins on a flamboyant party gown. Read more... |
Tristan und Isolde, Glyndebourne review - infinite love at white heatSaturday, 03 August 2024
Richard Strauss described conducting Wagner’s Tristan und Isolde for the first time as "the most wonderful day of my life". It’s understandable that Glyndebourne’s music director Robin Ticciati should wish to improve upon “wonderful” in conducting a concert staging in 2021 with "miraculous" in charge of the full Nikolaus Lehnhoff production. I challenge anyone to cite another Tristan more alert to every possibility – the electrifying, the ferocious, the transcendental. Read more... |
The Butterfly House, Clonter Opera review - Puccini in biographical briefsWednesday, 24 July 2024
For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be opera stars by giving them a chance to perform in undemanding conditions under the guidance of experienced professional. Read more... |
ll Segreto di Susanna/Pagliacci, Opera Holland Park review - on with the motley, out with the fagsThursday, 18 July 2024
Could “Cav and Pag” give way to “Sue and Pag”? As a double-bill partner for Leoncavallo’s backstage shocker Pagliacci, Opera Holland Park have scheduled not the standard Cavalleria Rusticana but an entirely different one-act work. Premiered in Munich in 1909, Wolf-Ferrari’s Il Segreto di Susanna plays droll, even farcical, variations on the same theme of male jealousy as newlywed Count Gil suspects his bride Countess Susanna of having an affair. Read more... |
theartsdesk at the Buxton International Festival - power and glory in early VerdiFriday, 12 July 2024
Buxton International Festival offers one thundering success, one uneasy compromise and one surprisingly enjoyable experience, in its three mainstage operas this year. Read more... |
Orlando, Academy of Ancient Music, Cummings, Barbican review - madly beautifulTuesday, 02 July 2024
The Academy of Ancient Music, which celebrates its “golden anniversary” this season, got going just as Handel’s operas began to leave the library at last and reclaim the stage. There they continue to flourish, dazzle and move – which makes any concert performance of them a slightly bittersweet pleasure. Read more... |
Le nozze di Figaro, Garsington Opera review - fine-tuned telling it as it isSaturday, 29 June 2024
“Tradition is sloppiness,” Mahler the opera conductor is credited with saying. But in the case of old master John Cox’s long-serving Garsington production of the greatest of operatic comedes, not if it’s refreshed with the subtlest insights in to human tensions and frailties. Read more... |
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