Opera Reviews
Tosca, Opera North review - exciting update, strong on sonic thrillsMonday, 17 September 2018
Puccini’s Tosca isn’t a subtle work, and this, Opera North’s fourth production since the company’s founding in 1978, is occasionally too loud and crude. But it’s undeniably powerful. Read more... |
The Rake's Progress, British Youth Opera review - perfect poise in slippery StravinskyFriday, 07 September 2018
So it's been sellouts for half-baked if well-cast productions of The Rake's Progress and now Britten's Paul Bunyan at Wilton's Music Hall, while British Youth Opera's classy Stravinsky in the admittedly larger Peacock Theatre, several hundred yards away from the Hogarth Rake paintings in Sir John Soane's Museum, played to a half-empty house, last night, at least. Read more... |
Prom 71, DiDonato, Tamestit, ORR, Gardiner review - concert Berlioz as bracing theatreThursday, 06 September 2018
How do you make your mark in a crucial last week after the Olympian spectaculars of Kirill Petrenko's Proms with the Berlin Philharmonic? Read more... |
Paul Bunyan, ENO, Wilton's Music Hall review - talent cabined and confinedWednesday, 05 September 2018
It's Britten outside-in time for English National Opera. Regent's Park Open Air Theatre, which played host earlier this year to an only partially convincing production of his 1950s masterpiece The Turn of the Screw, would have been the perfect choice for the prelapsarian American forests of his pre-Grimes operetta/musical Paul Bunyan. Read more... |
Vanessa, Glyndebourne review - blowsy histrionics and a great finaleMonday, 06 August 2018
"Sounds like an opera by Handel," said a friend when I told him that I was going to see Vanessa at Glyndebourne. Read more... |
Proms 25 / 26 review - Russian masters, noodling guitar, late-night perfectionFriday, 03 August 2018
Sometimes the more modestly scaled Proms work best in the Albert Hall. Not that there was anything but vast ambition and electrifying communication from soprano Anna Prohaska and the 17-piece Il Giardino Armonico under Giovanni Antonini, making that 18 when he chose to take up various pipes (★★★★★). Read more... |
SWAP'ra Gala, Opera Holland Park review - all-women stars and scenesWednesday, 01 August 2018
Two women, Julia Sporsén's female Composer and Jennifer France's Zerbinetta in Strauss's Ariadne auf Naxos, stole most hearts with their togetherness at Holland Park recently. Read more... |
Pagliacci, Scottish Opera review - roll up, roll up for opera like never before!Monday, 30 July 2018
Yes it’s opera, but not as you know it. Read more... |
Saul, Glyndebourne review - from extravaganza to phantasmagoriaFriday, 20 July 2018
It's swings and roundabouts for Glyndebourne this season. After the worst of one director currently in fashion, Stefan Herheim, in the unhappy mésalliance of the house's Pelléas et Mélisande, only musically gripping, comes the already-known best of another, Barrie Kosky. Read more... |
L'Ange de Nisida / JPYAP Summer Programme, Royal Opera - buoyant touch in Donizetti bagatelleThursday, 19 July 2018
Two rules should help the non-Donizettian: avoid all stagings of the prolific Bergamasco's nearly 70 operas other than the comedies; and seek the guarantee of top bel canto stylists. Read more... |
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