Sneak preview: Richard Suart's little list | reviews, news & interviews
Sneak preview: Richard Suart's little list
Sneak preview: Richard Suart's little list
Saturday, 26 February 2011
Suart's Ko-Ko reads his little list at the last ENO revival of Jonathan Miller's Mikado, 2007Alastair Muir
Hot on the heels of our feature celebrating 25 years of Jonathan Miller's Mikado at English National Opera, the latest revival of which opens tonight, veteran Savoyard Richard Suart sent through the most recent candidates for the Lord High Executioner's chop as he will be delivering them onstage (with no doubt a twist or two as the run proceeds).
Hot on the heels of our feature celebrating 25 years of Jonathan Miller's Mikado at English National Opera, the latest revival of which opens tonight, veteran Savoyard Richard Suart sent through the most recent candidates for the Lord High Executioner's chop as he will be delivering them onstage (with no doubt a twist or two as the run proceeds).
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Opera
Semele, Royal Opera review - unholy smoke
Style comes and goes in a justifiably dark treatment of Handelian myth
Le nozze di Figaro, Glyndebourne review - perceptive humanity in period setting
Mostly glorious cast, sharp ideas, fussy conducting
Fidelio, Garsington Opera review - a battle of sunshine and shadows
Intimacy yields to spectacle as Beethoven's light of freedom triumphs
Dangerous Matter, RNCM, Manchester review - opera meets science in an 18th century tale
Big doses of history and didaction are injected into 50 minutes of music theatre
Mazeppa, Grange Park Opera review - a gripping reassessment
Unbalanced drama with a powerful core, uninhibitedly staged
Saul, Glyndebourne review - playful, visually ravishing descent into darkness
Ten years after it first opened Barrie Kosky's production still packs a hefty punch
Così fan tutte, Nevill Holt Festival/Opera North review - re-writing the script
Real feeling turns the tables on stage artifice in Mozart that charms, and moves
La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall review - diva power saves minor Bellini
Australian soprano Helena Dix is honoured by fine fellow singers, but not her conductor
The Queen of Spades, Garsington Opera review - sonorous gliding over a heart of darkness
Striking design and clear concept, but the intensity within comes and goes
The Flying Dutchman, Opera Holland Park review - into the storm of dreams
A well-skippered Wagnerian voyage between fantasy and realism
Il Trittico, Opéra de Paris review - reordered Puccini works for a phenomenal singing actor
Asmik Grigorian takes all three soprano leads in a near-perfect ensemble
Faust, Royal Opera review - pure theatre in this solid revival
A Faust that smuggles its damnation under theatrical spectacle and excess
Add comment