Reviews
Glee, E4Monday, 15 March 2010
Rarely has a TV series been so easy to like and so tricky to define. If you shoved High School Musical, American Idol and The Breakfast Club in a blender, you'd be in the right ballpark, though you still wouldn't quite have captured Glee'... Read more... |
Katya Kabanova, English National OperaMonday, 15 March 2010
It's amazing how much you can tell of what lies ahead from the way a conductor handles a master composer's first chord. Katya Kabanova's opening sigh of muted violas and cellos underpinned by double basses should tell us that the Volga into which... Read more... |
From Floor to Sky: British Sculpture and the Studio Experience, Ambika P3Monday, 15 March 2010
From Floor to Sky looks at a relatively little known, but pivotal, moment in the development of British sculpture: the period in the late 1960s and early 1970s when tutors and students at St Martin's School of Art and the Royal College worked... Read more... |
Hana Vojackova, Chernobyl: Red Balloon 86, 11 Mansfield StMonday, 15 March 2010
A 1986 documentary about the USSR’s new modernist city, Chernobyl, featured a five-year-old boy kicking a football through landscaped gardens, past blocks of clean, elegant flats and inside the soon-to-be opened funfair in the workers' town of... Read more... |
English Journey Revisited, AV Festival, NewcastleMonday, 15 March 2010
The description of the AV Festival’s closing event was vague in the promotional material. Going only by the promise of “music/performance,” and the undeniably odd combination of Alan Moore and Iain Sinclair with performance musicians including the... Read more... |
Mumford & Sons, Shepherds Bush EmpireMonday, 15 March 2010
I had been trying to secure a ticket for Mumford & Sons’ sold-out-yonks-ago tour for most of last week. Ten minutes before they were due to go onstage for their final gig, I'd given up hope. It was a case of go home and console myself with... Read more... |
Martino Tirimo, Kings PlaceSunday, 14 March 2010
This is what Chopin anniversary year ought to be all about; not some celebrity showcase of plums and cornerstones in too large a hall before a restless audience, but a thoughtfully planned adventure zigzagging through the complete works on which the... Read more... |
Requiem for Detroit?, BBC TwoSaturday, 13 March 2010
The only time I've ever been to Detroit was in 2004, in pursuit of assorted rock stars on the Vote for Change tour. Reader, it was weird. The atmosphere in the deserted streets was deathly, as if an invading army had swarmed into town, committed... Read more... |
Wolfgang Rihm Day, BarbicanSaturday, 13 March 2010
It's hard to miss German composer Wolfgang Rihm. He has an enormous head. There it is, bulging from his giant frame, a big, friendly grin slapped onto it while he wanders around the Barbican on his celebratory day, none of it going to waste. Listen... Read more... |
Mama Rosin, St Moritz ClubFriday, 12 March 2010
What do you imagine a Swiss Cajun/Zydeco trio would sound like? It’s not a question that’s easy to navigate without slipping into the politically incorrect quicksand of racial or cultural stereotyping. So it gives me great pleasure to report that... Read more... |
Karine Polwart, Roxy Art House, EdinburghFriday, 12 March 2010
If ever there was a classic case of artist and audience meeting on terribly comfortable ground, Karine Polwart's performance at last night’s fundraiser for the Green Party was it. Held in a beautiful converted church, there was more than a trace of... Read more... |
London Symphony Orchestra, Adams, Barbican HallFriday, 12 March 2010
Adams began with two Debussy preludes swept by a different kind of wind in Colin Matthews's ingenious, luminous orchestrations. Well, windswept was the idea, but there was no more elemental scouring here than by all accounts there had been in the... Read more... |
