tue 06/05/2025

Reviews

Arminio, Royal Opera review - Handel does Homeland, and it works

Invasion by a colonising power has convulsed a country, dividing families – even individuals – between the rival claims of resistance and collaboration. A captured freedom-fighter from the indigenous elite faces execution; an imperial general hopes...

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The Meaning of Zong, Barbican review - didactic tale based on the 1781 massacre of 132 slaves

There’s a moment in the opening stretch of Giles Terera’s The Meaning of Zong where you think the former Hamilton star has written a piece about slavery that’s in much the same idiom as the hit musical. Music will indeed be a strong presence in...

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A Thousand and One review - fighting the system in 1990s New York

AV Rockwell well deserved the Grand Jury award at Sundance in January for her debut feature film, A Thousand and One.It’s hard to believe that this subtle portrait of a troubled young woman trying to raise a child is the work of a first time...

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Kim, BBC National Orchestra of Wales, Bancroft, St.David's Hall, Cardiff review - finding a style in the Eighties

We hear a lot about political and economic crises in the 1970s and 1980s, winters of discontent and all the rest of it, the predictable if not predicted remote outcome of what Jacques Maritain called the “immense intellectual disarray inherited from...

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How To Blow Up a Pipeline review - can eco-terrorism be justified?

“This was an act of self defence,” is the last message we hear as How To Blow Up a Pipeline approaches the end of its 104-minute span. The speaker, a revolutionary environmental activist called Xochitl, has been arrested for her involvement in the...

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Private Lives, Donmar Warehouse review - Coward revival cuts to the quick

It's not often with Private Lives that you feel Amanda and Elyot are one step away from a visit to A&E. But such is the startling force of Michael Longhurst's Donmar Warehouse revival of arguably Noël Coward's most durable play that...

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Elsa Dreisig, Jonathan Ware, Wigmore Hall review - a glorious voice unleashed

French-Danish soprano Elsa Dreisig’s operatic schedule is so busy and so successful, it is perhaps not surprising that she – and Texas-born pianist Jonathan Ware – treat the song recital platform as a place of freedom, where, rather than...

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theartsdesk on Vinyl: Record Store Day Special 2023

Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy?THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023Suicide A Way of Life Rareties...

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theartsdesk on Vinyl 76: Elton John, Pharoah Sanders, Hellripper, Jah Wobble, T-Rex and more

There will be two theartsdesk on Vinyls this week. The first is here, an epic 11,000 words on a multitude of new releases in every genre, from reissues of classics to spanking new strangeness. There’s something for everyone. On Thursday we’ll have a...

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Innocence, Royal Opera review - timely, layered drama with almost incidental music

To create a sensitive and original music-drama around the subject of a school killing is a colossal achievement. Director Simon Stone, set designer Chloe Lamford and novelist Sofi Oksanen’s cutting libretto make Innocence seem like a masterpiece. I...

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Goat, The Mill, Birmingham review - Scandinavian pagans see the weekend out in style

It might be nigh on six months since Scandinavian shamen (and women) Goat released their latest opus, Oh Death, but it has taken until now for them to finally bring their energetic live show back to the UK. On Sunday’s evidence, it is a wait that...

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Grenfell by Steve McQueen, Serpentine Gallery review - a stirring memorial for the tower block inferno

The fire which engulfed Grenfell Tower in London’s North Kensington on 14 June, 2017, with a death toll of 72, is still under investigation. The dead were largely recent immigrants to the UK. The tragedy, it’s clear now, was caused by an unholy...

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