wed 21/05/2025

Reviews

Border review - genre-defying Oscar-nominated Swedish film

This might just be the most challenging film review I’ve had to write in decades. The best thing would be to go and see Border knowing nothing more than that it won the prize for most innovative film at Cannes. Don't watch the trailer, and...

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Berlioz Requiem, Spyres, Philharmonia Orchestra, Nelson, St Paul's Cathedral review - masses and voids

Asked to choose five or ten minutes of favourite Berlioz on the 150th anniversary of his death (yesterday), surely few would select anything from his giant Requiem (Grande Messe des Morts). This is a work to shock and awe, not to be loved - music...

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Dorothea Tanning, Tate Modern review – an absolute revelation

Tate Modern’s retrospective of Dorothea Tanning is a revelation. Here the American artist is known as a latter day Surrealist, but as the show demonstrates, this is only part of the story. Tanning’s career spanned an impressive 70 years – she died...

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Idomeneo, English Touring Opera review – honest excellence

Selfish, cunning, cynical, the older generation has screwed up the world with aggression abroad and dishonesty at home. Can their children make it good again? This family drama of transgression and reparation threads through Idomeneo, the opera that...

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I'm Every Woman, JW3, London - a musical celebration of International Women's Day

In one of the award-winning club’s forays from its Camden Town home, Green Note welcomed International Women’s Day with a special one-off concert exploring and celebrating the many ages and stages of being a woman. Three generations...

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CD: Karen O and Danger Mouse - Lux Prima

As collaborations go, it’s a doozy. Karen O’s signature vocals over Danger Mouse’s production – it was always going to pique interest. And Lux Prima does much to meet expectations, gorgeous cinematic soundscapes that flit between haunting and...

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The Kindergarten Teacher review - obsession, talent and the power of poetry

Lisa, the kindergarten teacher in question (a mesmerising Maggie Gyllenhaal), is taking evening classes in poetry. Twenty years of teaching and raising her three kids, now monosyllabic, mean teens, have left her desperate for culture and a creative...

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Waitress, Adelphi Theatre review - sweet if sometimes silly musical arrives from Broadway

There's a lovely, quietly subversive musical lurking somewhere in Waitress, and for extended passages in the second act that show is allowed to shine through. The flip side means putting up with an often coarse first act that seems to have taken its...

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After Life, Netflix, review - Ricky Gervais's grief emoji

The limitless goodwill generated by The Office earned Ricky Gervais the right to do and say as he pleased. Thus, hosting the Golden Globes, he was toweringly rude to Hollywood royalty. In Extras he gleefully portrayed celebrities as vain and ghastly...

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Everybody Knows review - so-so Spanish kidnap drama

It’s a parental nightmare that’s virtually impossible to comprehend – a missing child. But however disturbing, that dilemma is not the chief concern of the Iranian writer/director Ashgar Farhadi’s latest drama. As ever, he’s interested in the...

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Medea, Internationaal Theater Amsterdam, Barbican review - lacerating contemporary tragedy

Hallucinatory theatre has struck quite a few times in the Barbican's international seasons. On an epic scale we’ve had the Shakespeare compendiums Kings of War and Roman Tragedies from Toneelgroep Amsterdam, newly merged with the city's...

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Captain Marvel review – Brie Larson is the Avenger we’ve always been waiting for

There have been two relatively recent, welcome correctives in what is grandiosely referred to as the “Marvel Cinematic Universe” – a move towards diversity (Black Panther) and a sharp injection of comedy (Guardians of the Galaxy, Thor: Ragnarok...

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