wed 21/05/2025

Visual arts

Stuart Semple, Morton Metropolis

Sincerity is not a quality the contemporary art world seems to value: the masking of emotions under layers of irony is where we stand. But while Damien Hirst paints from a cynical palette, British Pop Artist Stuart Semple's Nineties-inflected...

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theartsdesk in Chicago: Radical Invention in the Windy/Second City

A fresh look at Matisse: 'Bathers by a River', 1916-17

On my previous trip to the Second City in 2009, the much-awaited Art Institute of Chicago extension wasn’t quite ready for visitors, but is now about to celebrate its first birthday, and it’s a treat. The Modern Wing adds 35 per cent more space to...

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Marc Quinn, White Cube

Marc Quinn is used to making a spectacle of himself. In Self (1991 and ongoing), a life-sized cast of his head was filled with his own blood. It was a stark and sobering reflection on what we all share, the universality of the most basic of human...

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Paintings, crushed canvases, sound art and sci-fi - an eclectic year for Turner Prize shortlist

Modern history painting: Dexter Dalwood's 'The Death of David Kelly'

Last year critics were pleasantly surprised that the Turner Prize shortlist included works that could actually be admired for traditional notions of beauty. This year they might be surprised at its sheer variety. The four nominees not only include a...

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Modern Masters: Warhol, BBC One

Alastair Sooke ponders the inescapable coolness of Andy Warhol

I wondered how long it would be before Andy Warhol’s "15 minute" quote came up. From the whizzy, flash-bang opening credits  I knew it wouldn’t be long. I was right: but less than seven minutes? Less than five?  I didn’t time it, since I was still...

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Bill Fontana: River Sounding, Somerset House

'River Sounding': 'The ship’s bell seems to toll with maudlin finality'

The fountains have been switched on at Somerset House, and I watched a group of tourists giggling as they picked their way through the water jets. They obviously hadn’t noticed the cheerful sound of running water coming from the edge of the...

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theartsdesk Q&A: Artist Maggi Hambling

Maggi Hambling: 'You’ve got to make your work your best friend'

Next week sees the opening of an exhibition at Marlborough Fine Art of new work by Maggi Hambling, one of the most innovative and prolific - not to mention flamboyant - artists working in Britain today, which neatly coincides with a show of sea...

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Art Gallery: Maggi Hambling - Sea Sculptures and Paintings

'Wave Relief' by  Maggi Hambling

To accompany theartsdesk Q&A with artist Maggi Hambling by Hilary Whitney, this is a selection of pieces from two new exhibitions of her latest work opening in London and Cambridge. Maggi Hambling: New Sea Sculptures at Marlborough Fine Art...

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Photographic Gallery: Grace Jones Portraits by Chris Levine

One can hardly imagine the spiky dervish Grace Jones sitting still for a second, let alone remaining motionless long enough to have photographs (and plenty of them) taken for her portrait. Nevertheless, Chris Levine has managed to pin her down - in...

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Jannis Kounellis, Ambika P3

Jannis Kounellis: 'The sculpture looms above the visitors dodging in and out of blind alleys'

Last year, visitors to Tate Modern’s Artists’ Rooms could see a room dedicated to Jannis Kounellis. It was filled with some of his most resonant work: a door filled up with drystone walling; burlap sacks of grain, rice, pulses; metal bells. For a...

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The Concise Dictionary of Dress, Artangel at Blythe House

On the roof of Blythe House: 'Armoured' shimmers in the light

Judith Clark is a fashion curator, Adam Phillips a psychoanalyst and writer. In collaboration with Artangel, that font of innovative artistic commissions (including Rachel Whiteread’s House, Michael Landy’s Break Down), they have produced what is...

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Fra Angelico to Leonardo: Italian Renaissance Drawings, British Museum

This superb exhibition of Italian Renaissance drawings, featuring 100 works and chosen from the outstanding graphic collections of the Uffizi and the British Museum, explores the evolution of the preparatory sketch in the 15th century. We learn how...

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