TV drama
Hunters, Amazon Prime review - bringing God's justice to Nazis in AmericaSaturday, 22 February 2020
Apparently network executives initially reacted with alarm to the premise of Hunters, Amazon’s new big-ticket series chiefly (though by no means entirely) notable for hosting Al Pacino’s first full-scale television role. Its story of Jewish Nazi-... Read more... |
The Stranger, Netflix review - strong cast grapples with labyrinthine plottingSaturday, 15 February 2020
This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many... Read more... |
Sex Education, Series 2, Netflix review - the teen sex show we deservedFriday, 14 February 2020
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high... Read more... |
The Split, Series 2, BBC One review - where the law and family fortunes collideWednesday, 12 February 2020
The return of screenwriter Abi Morgan’s series about a largely-female London law firm is no doubt in tune with our gender and equality-conscious times, but that doesn’t mean it’s great television. Its legal storylines are counterpointed against... Read more... |
The Pale Horse, BBC One review - when in doubt, do another Agatha Christie remakeMonday, 10 February 2020
You could sometimes begin to believe that the notion of original TV drama is dying out, replaced by an interminable stream of adaptations and remakes. Did somebody mention Dracula? Screenwriter Sarah Phelps is currently the BBC’s go-to specialist... Read more... |
The L Word: Generation Q, Sky Atlantic review - is the new Word as good as the old Word?Wednesday, 05 February 2020
The L Word originally ran for six seasons between 2004 and 2009, and its then-revolutionary depiction of the lives of a group of lesbians in Los Angeles won it both a fanatical audience and acclaim for its game-changing content, exploring such... Read more... |
Baghdad Central, Channel 4 review - thriller set in the aftermath of the Iraq warTuesday, 04 February 2020
Inspector Muhsin al-Khafaji of the Iraqi police may be set to become one of those classically dog-eared, depressed and down-at-heel detectives who have proliferated in crime fiction. He could join a lineage that includes Martin Cruz Smith’s battered... Read more... |
Messiah, Netflix review - con-artist or the Second Coming?Wednesday, 15 January 2020
It’s an intriguing question. If a new Messiah appeared today, what kind of reception could he (if it was a he) expect? Possibly something similar to the one which greeted Jesus, according to Netflix’s new series Messiah.Created by Michael Petroni,... Read more... |
Best of 2019: TVMonday, 30 December 2019
As symbolic moments go, the arrival of Martin Scorsese's new gangster epic The Irishman on Netflix took some beating. It exemplified the adage that "TV is the new cinema", and at the same time perhaps suggested a new and less digestible adage,... Read more... |
A Christmas Carol, BBC One review – Dickens classic recast as gruelling horror storyMonday, 23 December 2019
If you came to this expecting to be reminded of such ghosts of Scrooges past as Alastair Sim or Bill Murray, you will have been reaching either for the brandy or the defibrillator. In the hands of screenwriter Steven Peaky Blinders Knight and... Read more... |
Traces, Alibi review - pedigree cast battles implausible plotWednesday, 11 December 2019
Alibi is usually your one-stop shop for re-runs of Father Brown or Death in Paradise, so well done them for commissioning this new murder mystery. It comes with a glittering pedigree, having been created by actor-turned-writer Amelia Bullmore (Scott... Read more... |
Giri/Haji, Series Finale, BBC Two review - a thriller, but much more besidesFriday, 06 December 2019
Happily, Joe Barton’s tinglingly original thriller (BBC Two) finished as smartly as it began, not by any humdrum tying-up of loose ends but by giving free rein to the story’s ambiguities and impossible choices. If indeed they really were choices.... Read more... |
