thu 21/08/2025

New music

Album: Elbow - Flying Dream 1

A poet I know once went to a boarding school to deliver an open class on poetry. Part of the day consisted of the children producing poems of their own, which their guest teacher then looked over and discussed with them. Almost every one was about...

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Cécile McLorin Salvant, EFG London Jazz Festival review - strength, vulnerability and humour

A fascinating song list that juxtaposed originals with musical theatre, pop songs, Brazilian music and more. An inventive, listening band – take a bow Glenn Zaleski (piano), Alexa Tarantino (flute), Marvin Sewell (guitar), Yasushi Nakamura (bass)...

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OMD/Scritti Politti, Brighton Centre review - an engaging, ebullient good time

A persistent moan of this writer in recent years, about gigs attended by those his own age (54) and up, is that, however good the band is, the audience are stationary, staring, semi-catatonic. They don’t twitch or move, facing stage-wards earnestly...

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Album: Deap Vally - Marriage

Deap Vally’s debut album, Sistrionix was a breath of fresh air for the heavy blues rock end of the musical spectrum when it was released in 2013. Feminist anthems, like “Gonna Make My Own Money” and “Creeplife” blasted out like artillery salvos and...

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Album: Willie Nelson - The Willie Nelson Family

The Outlaw meets Jesus, at least on CD. The Willie Nelson Family finds The Red Headed Stranger singing some of country-gospel’s most celebrated songs, including Hank Williams’ “I Saw the Light”. It’s his second album of 2021 – the first, That’s Life...

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The Jesus and Mary Chain, Barrowland, Glasgow review - Scottish siblings still the loudest gang in town

There is unquestionably a more mellow side to the Jesus and Mary Chain these days, even when reviving their most ferocious glories from the past. Prior to launching this two-halved set, comprising their 1987 classic Darklands to begin with and a...

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Album: Robert Plant and Alison Krauss - Raise the Roof

The collaboration of Robert Plant, Alison Krauss and producer T-Bone Burnett produced a masterpiece Raising Sand in 2011. Once again, and in spite of rumours about the artists falling out, they have returned with the same winning formula.With...

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Jazz Voice, EFG London Jazz Festival review - from intimate delicacy to stunning virtuosity

A celebration of that most extraordinary instrument, the human voice, this year’s edition of Jazz Voice – which gladly welcomed back a live audience and a full-strength EFG London Jazz Festival Orchestra – ranged from music of intimate delicacy to...

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Music Reissues Weekly: Essiebons Special 1973-1984 Ghana Music Power House

One of the most interesting tracks on Essiebons Special 1973–1984 Ghana Music Power House is Joe Meah’s mysterious "Dee Mmaa Pe". It’s not mentioned in the compilation’s accompanying booklet, and Joe Meah doesn’t figure in any of the standard...

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Album: Ladyhawke – Time Flies

There’s no doubting that New Zealand hit-maker Ladyhawke can write a perfect pop song – “Paris is Burning”, “My Delirium” and the joyous “Dusk till Dawn” prove that. And this, her first album in five years, starts out promisingly. Both poppy, peppy...

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Album: Rod Stewart - The Tears of Hercules

Amid the spume of insults at the close of the song “The Great Rock’n’Roll Swindle” by Malcolm McLaren’s Rotten-less, end-game version of the Sex Pistols, Rod Stewart is a prime target. Sandwiched between abuse for David Bowie and Elton John, Rod is...

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Black Pumas, O2 Institute, Birmingham review - bluesy grooves with high octane energy

Having been founded only in 2017 by singer/songwriter Eric Burton and guitarist/producer Adrian Quesada, Black Pumas have been rapidly rising to fame, with a Grammy award nomination in 2020 and the majority of their current European tour dates sold...

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