And the Donmar goes to...

And the Donmar goes to | reviews, news & interviews

And the Donmar goes to...

Move over, boys: Josie Rourke is named Donmar artistic director

by Matt WolfFriday, 11 March 2011

Josie Rourke, soon to run the Donmar, now at the Bush

Ending speculation as to who will be the next numero uno at Covent Garden's small but mighty Donmar, Josie Rourke has been announced as artistic director designate of the 250-seater venue; she will accede to the hot seat next January, taking the reins at a theatre where Rourke first worked just over a decade ago, assisting on shows directed, as it happens, by both her predecessors: Michael Grandage and Sam Mendes.

Buy

Book tickets for Much Ado About Nothing, directed by Josie Rourke, on seetickets

Explore topics

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Theatre

The Importance of Being Earnest, National Theatre review - no shortage of acid-tipped delight Oscar Wilde speaks just as strongly to the 21st century as he did to his own

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem Shakespeare's comedy of identity confusion benefits from a 1940s setting

The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to me Myths and monsters make for a curiously bland and bloodless musical

Expendable, Royal Court review - intensely felt family drama New play about a paedophile ring foregrounds the voices of British-Pakistani women

The Purists, Kiln Theatre review - warm, witty, thoughtful and un-woke Dan McCabe's play about ageing hiphop stars makes a winning European debut

The Dead, ANU, Landmark Productions, MoLI Dublin review - vital life, love and death in perfect equilibrium Joyce’s great short story fully realised for ‘invited guests’ by a perfect ensemble

All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeable New production lands on shaky ground in 2024

Wicked review - overly busy if beautifully sung cliffhanger Musical theatre behemoth becomes an outsized film - and this is just part one

King James, Hampstead Theatre review - UK premiere drains a three-pointer LeBron James comes and goes, and comes back again to the Cavs

A Christmas Carol, Old Vic review - tidings of discomfort and noise This venue’s annual festive classic is joyous, but its writing is frankly patronising