20th century
Frida Kahlo: Making Her Self Up, V&A review - appearances aren't everythingTuesday, 03 July 2018
When in 2004 Frida Kahlo’s bedroom – sealed on the command of her husband Diego Rivera for 50 years from her death – was opened, a trove of clothes and personal items was discovered. They shed new light on the life of this iconic Mexican... Read more... |
Pelléas et Mélisande, Glyndebourne review - frigid metatheatreSunday, 01 July 2018
Pierre Boulez simply crystallised the obvious when he described Debussy's unique masterpiece as "theatre of cruelty," despite its enigmatic beginnings. Richard Jones, when I asked him to talk about its plot, declared "it's about two men who love the... Read more... |
Manchester Collective, Chetham's, Manchester review - flair and varietyFriday, 29 June 2018
Manchester Collective is a new and enterprising group of musicians determined not just to create performances of high quality but to offer a new way in which the performances themselves are done. They started from scratch at the end of 2016, and I... Read more... |
'That brick red frock with flowers everywhere': painting Katherine MansfieldFriday, 15 June 2018
The well-known portrait of New Zealand’s greatest writer, Katherine Mansfield, is exactly 100 years old on 17 June 2018 (main picture). It was painted by the American artist Anne Estelle Rice. At that time, Mansfield and Rice were both staying in... Read more... |
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mindTuesday, 05 June 2018
Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship... Read more... |
RSNO, Oundjian, Usher Hall, Edinburgh review - ending on a high in MahlerMonday, 04 June 2018
Marking his departure as the Royal Scottish National Orchestra's Music Director after six years, Peter Oundjian definitely left on a high, conducting a gripping, visceral performance of Mahler’s last completed symphony. Its beginnings were glassy... Read more... |
Gringytė, Williams, CBSO, Gražinytė-Tyla, Symphony Hall, Birmingham review - living in the momentFriday, 01 June 2018
How to judge a genius who died at 25? Gerald Larner, in his programme note for this concert by the City of Birmingham Symphony Orchestra, suggests that Lili Boulanger’s tragically early death was actually central to her achievement. She knew she... Read more... |
The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's museThursday, 10 May 2018
They say that behind every successful man is a strong woman. The Flying Lovers of Vitebsk is as much – if not more so – the championing of the unsung hero in this story of the famous early modernist artist, Marc Chagall. His wife, Bella – early muse... Read more... |
Los Angeles Philharmonic, Dudamel, Barbican review - brilliant if overwhelming showcaseThursday, 03 May 2018
Insistence was the name of the LA Phil's first game in its short but ambitious three-day Barbican residency - insistence honed to a perfect sheen and focus, but wearing, for this listener at least, some way in to the Shostakovich Fifth Symphony... Read more... |
DVD: 50 Years LegalTuesday, 01 May 2018
Simon Napier-Bell’s film has a huge appetite for its subject, which is, of course, the half-century of gay history in Britain that followed the partial decriminalisation of homosexuality brought by the Wolfenden Report in 1967. 50 Years Legal barely... Read more... |
Violinist Eldbjørg Hemsing: 'in the moments when magic happens, you think, that's why we do this'Saturday, 28 April 2018
In a classical recording industry seemingly obsessed with marketing beautiful young female violinists, but very often presenting them in repertoire to which most of them seem to have little individual to add, how do you make your mark? Norwegian... Read more... |
LSO, Rattle, Barbican review - incandescent swansongs by Mahler and TippettMonday, 23 April 2018
Why would any conductor resist Mahler's last great symphonic adventure? By which I mean the vast finale of his Tenth Symphony, realised in full by Deryck Cooke, and not the first-movement Adagio, fully scored (unlike most of the rest) by the... Read more... |
