Bartók
Bluebeard's Castle, LSO, Rattle, LSO St Luke's online review - slow-burning magnificenceWednesday, 04 November 2020
Poulenc’s La voix humaine comes close, but Bartók’s Bluebeard’s Castle has to be the perfect lockdown opera, this heady tale of two mismatched souls stuck in a confined space (admittedly an enormous one) alarmingly pertinent. Simon Rattle’s London... Read more... |
London Symphony Orchestra, Hasan, LSO St Luke's review - dances great and smallTuesday, 20 October 2020
Big orchestras to serve the late romantic masterpieces and contemporary blockbusters still aren’t the order of the Covid-era day, even in streamed events, at least not in the UK. The London Symphony Orchestra is so far unique in bigging up the... Read more... |
Eavesdropping on Rattle, the LSO and Bartók’s BluebeardWednesday, 16 September 2020
One source of advance information told us to expect a reduced version of Bartók’s one-act Bluebeard’s Castle, among the 20th century’s most original and profound operatic masterpieces. Joining 19 other lucky invitees and some of the LSO brass... Read more... |
Classical Music/Opera direct to home 4 - Rattle in the etherSunday, 29 March 2020
He may no longer be the Berlin Philharmoniker's Chief Conductor, but by a combination of serendipity and foresight on the orchestra's part, Simon Rattle's last concert in Berlin for the foreseeable future was filmed without an audience and led the... Read more... |
Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraintWednesday, 11 March 2020
No orchestra wants its conductor to cancel in the week of a concert. Mirga Gražinytė-Tyla’s illness was announced only on Monday, but even in ideal conditions, if you needed to find a last minute replacement maestro for a programme of Bartók and... Read more... |
Kolesnikov, Tsoy, Currie, Walton, Wigmore Hall review - mesmerising sonoritiesTuesday, 03 December 2019
Fine-tuning piano sound to Wigmore acoustics can elude even the greatest. Add a second Steinway and a wide range of percussion instruments, and the risks would seem to be hugely increased. So it was amazing to witness what seemed like sonic... Read more... |
Poster, Cabeza, Aurora Orchestra, Collon, Kings Place review – shock of the newMonday, 04 November 2019
Mozart’s piano concertos often overflow with good humour, but you seldom expect to hear a hearty chuckle from the audience in the middle of a performance of one. Yet something close to a guffaw burst out around King’s Place when soloist Tom Poster,... Read more... |
Classical CDs Weekly: Saint-Saëns, Yolanda Kondonassis, Konstantin Reinfeld & Benyamin NussSaturday, 31 August 2019
Saint-Saëns: Piano Concertos 3, 4 & 5 Alexandre Kantorow (piano), Tapiola Sinfonietta/Jean-Jacques Kantorow (BIS)Saint-Saëns’ five piano concertos are a pleasure no one need feel guilty about indulging in. My current go-to cycle is a... Read more... |
The Souvenir review – Joanna Hogg's most emotionally wrenching film yetThursday, 29 August 2019
Joanna Hogg’s melancholy autobiographical drama The Souvenir cuts too close to the bone. That’s a compliment: like Sally Rooney’s equally unsettling first novel Conversations With Friends, Hogg’s movie almost forces the viewer to relive that... Read more... |
Classical CDs Weekly: Bartók, Howells, Third Coast PercussionSaturday, 10 August 2019
Bartók: The Wooden Prince, Suite from The Miraculous Mandarin Helsinki Philharmonic Orchestra/Susanna Mälkki (BIS)Bartók's The Wooden Prince is a one-off in the composer's output, an evocative, expansive ballet score that will surprise anyone... Read more... |
Classical CDs Weekly: Bartók, Bruckner, BusoniSaturday, 25 May 2019
Bartók: Complete String Quartets Quatuor Diotima (Näive)Technical infallibility is now a non-negotiable when it comes to Bartók's six fiendishly difficult string quartets. Still, there's much more to these pieces than simply hitting the right... Read more... |
Classical CDs Weekly: Mahler, Schumann, Tamara StefanovichSaturday, 18 May 2019
Mahler: Symphony No 7 Budapest Festival Orchestra/Ivan Fischer (Channel Classics)“It is my best work and it has a cheerful character.” So said Mahler about his Symphony No 7, and on the basis of this exuberant, feisty performance, Ivan Fischer... Read more... |
