Berlioz
Perianes, Orchestre Symphonique de Montréal, Payare, Barbican review - elegance and drama but not enough biteWednesday, 20 November 2024
When the Venezuelan Rafael Payare was appointed as conductor of the Orchestre Symphonique de Montréal (OSM) two years ago, his first action was to blast his way through a French Berlitz course. A graduate of the El Sistema music-teaching project –... Read more... |
Béatrice et Bénédict, Irish National Opera, National Concert Hall, Dublin review - sung and spoken triumphWednesday, 02 October 2024
As Fiona Shaw’s shiningly free and easy narration told us, Shakespeare’s sparring Beatrice and Benedick are merely counterpoint to a supposedly comic plot that becomes a potential tragedy, and tests the japers’ seriousness. Berlioz wanted none of... Read more... |
Prom 58, Orchestre de Paris, Mäkelä review - risky reinvention pays off in partWednesday, 04 September 2024
Never mind the Last Night, it’s always the preceding Proms weeks which lead us through different rooms of a dream palace as visiting orchestras succeed one another. This year has taken on an almost hallucinatory quality as three great conductors –... Read more... |
Murrihy, Martineau, Wigmore Hall review - poise, transformation and rainbow coloursThursday, 30 May 2024
Peerless among the constellation of Irish singers making waves around the world, mezzo Paula Murrihy first dazzled London as Ascanio in Terry Gilliam’s English National Opera production of Berlioz’s Benvenuto Cellini. Since then she’s become a major... Read more... |
Watts, BBC Symphony Orchestra and Chorus, Bignamini, Barbican review - blazing French masterpiecesSaturday, 20 April 2024
Anyone who’d booked to hear soprano Sally Matthews or to witness the rapid progress of conductor Daniele Rustioni – the initial draw for me – could not have been disappointed in their late-stage replacements. Elizabeth Watts is as much of a national... Read more... |
Classical CDs: Microphones, Massachusetts and mountainsSaturday, 19 August 2023
Antal Doráti: The Mercury Masters – The Mono Recordings (Decca Eloquence)The great Hungarian conductor Antal Doráti (1906-1988) enjoyed a long and prolific recording career, stretching from the mid-1940s to the early 1980s. This beautifully... Read more... |
The Damnation of Faust, LPO, Gardner, RFH review - the devil's in the detailMonday, 06 February 2023
No work gives its listeners such pleasure on the way to hell (and back) as Berlioz’s rule-busting “dramatic legend”, The Damnation of Faust. It delivers not just flamboyant thrills, but low comedy, high drama, pathos, terror, nostalgia, pastoral... Read more... |
Classical CDs: Symphonies, suppers and knitting needlesSaturday, 28 January 2023
Roger Norrington: The Complete Erato Recordings (Erato)Richard Osborne’s booklet essay contains some telling words from Sir Roger Norrington, tucked away at the end of the final paragraph: “I don’t mind if a performance is unhistorical; I do... Read more... |
L’Enfance du Christ, Monteverdi Choir, ORR, Gardiner, St Martin-in-the-Fields review – clear-cut Christmas storyMonday, 13 December 2021
Time, place and performers gave this performance of Berlioz’s typically original “Sacred Trilogy” a special significance. Nothing in it is more striking, in choice of text and the music to illustrate it, than the scene where Hebrew refugees Mary,... Read more... |
Gerhaher, Faust, Wigmore Hall review - husky shadings and dark huesWednesday, 29 September 2021
Christian Gerhaher and a string ensemble led by Isabelle Faust presented here a programme of works with a nocturnal theme. Gerhaher’s voice is an instrument of husky shadings and dark hues, so the night theme seemed wholly appropriate. The impetus... Read more... |
Classical CDs Weekly: Berlioz, Markus Reuter, The MozartistsSaturday, 06 June 2020
Berlioz: Symphonie Fantastique, Rêverie et caprice, La mort d'Ophélie, Sara la baigneuse Utah Symphony/Thierry Fischer, with Philippe Quint (violin) (Hyperion)Just two big symphonies by French composers can be counted as standard repertoire.... Read more... |
Suzman, London Schools Symphony Orchestra, Edwards, Barbican review - a cabaret from hellThursday, 09 January 2020
The devil wore all manner of outlandish attire in last night's chameleonic programme devised by Peter Ash, the London Schools Symphony Orchestra's challenging artistic director. There was searing verse from Marlowe, Milton and Goethe; music from... Read more... |
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