drama
Under the Black Rock, Arcola Theatre review - political thriller turns soapySaturday, 11 March 2023
“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now. Whether The Banshees of Inisherin will garner the Oscars haul it hardly deserves... Read more... |
Grenfell: System Failure, Playground Theatre review - if this doesn't make you angry, nothing willSaturday, 25 February 2023
It’s been five years since 72 people died in the Grenfell Tower fire in West London. Five years and no arrests, as countless placards and posters around the neighbourhood point out.The Grenfell Tower Inquiry into how the tragedy occurred – why it... Read more... |
Smoke, Southwark Playhouse review - dazzling Strindberg updateMonday, 06 February 2023
A play’s title can be an almost arbitrary matter – there’s no streetcar but plenty of desire in that one for example – and it might have crossed Kim Davies’ mind to call her play Ms Julie, since it is a reimagining of August Strindberg’s... Read more... |
A Christmas Carol, RSC, Stratford review - family show eases back the terror and winds up the politicsSaturday, 19 November 2022
Life is full of coincidences and contradictions. As I was walking to the Royal Shakespeare Theatre, the Chancellor of the Exchequer was on his feet in the House of Commons delivering yet another rebalancing of individual and collective resources. On... Read more... |
Here, Southwark Playhouse review - award-winning kitchen sink drama goes down the drainThursday, 17 November 2022
The kitchen sink drama has been a standby of English theatre for 70 years or more, but not always with an actual sink on stage. But there it is, in an everyday home that harbours a secret or two in Clive Judd’s debut play, the winner of the 2022... Read more... |
The Doctor, Duke of York's Theatre review - Juliet Stevenson will see you nowMonday, 10 October 2022
Robert Icke is an expert in corporate tragedy. I don’t mean that in a bad way - just that he has a penchant for taking classics (Hamlet, The Oresteia, Mary Stuart) and transporting them, with the help of designer Hildegard Bechtler, to the frosted-... Read more... |
The Caucasian Chalk Circle, Rose Theatre review - new production of classic proves a gruelling experienceFriday, 07 October 2022
Brecht – as I suppose he intended – is always a shock to the system. With not a word on what to expect from his commitment to the strictures of epic theatre in the programme, a star of West End musical theatre cast in the lead and a venue... Read more... |
The Two Popes, Rose Theatre review - sparkling with wit and pathosThursday, 15 September 2022
It can’t have been an easy pitch. “Popes. Both foreign, yes. German and Argentinian – sorry, can’t change either. Eighty-something and the other’s a decade younger. Mainly just talking about their pasts and their different approaches to Roman... Read more... |
Where the Crawdads Sing review - picturesque film glosses over its darker themesMonday, 25 July 2022
Derived from Delia Owens’s massively successful novel, Where the Crawdads Sing is the story of Kya Clark, a girl from an abusive, broken home in the North Carolina marshlands who raises herself almost single-handedly. The few people she encounters... Read more... |
The Dance of Death, Arcola Theatre review - hate sustains a marriage in new version of Strindberg classicFriday, 08 July 2022
Rebecca Lenkiewicz's adaptation of August Strindberg's 1900 paean to the power of loathing over loving uses the now familiar trick of dressing characters in period detail while giving them the full range of the 21st century's argot of disdain and... Read more... |
The White Card, Soho Theatre review - expelling the audience from its comfort zoneFriday, 01 July 2022
We’re in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really... Read more... |
Girl on an Altar, Kiln Theatre review - machismo, murder and motherhood in mesmerising mythSaturday, 28 May 2022
Playwrights return to classical myths for two main reasons – to shine a light on how we live today and because they're bloody good yarns.Marina Carr's re-telling of Clytemnestra's story is boldly innovative in its conception and execution, but... Read more... |
