family relationships
Andrea Bajani: If You Kept a Record of Sins review - where blame, grief and discovery meetWednesday, 07 April 2021
“I think it happened to you, too, the first time you arrived.” So begins Andrea Bajani’s second novel (Se consideri le colpe, 2007), recently translated from Italian by Elizabeth Harris, with the narrator’s characteristic reserve. “You”, that... Read more... |
Memories of My Father review - the richness of childhood, the cruelty of historySaturday, 27 March 2021
Spanish director Fernando Trueba’s Memories of My Father adapts the Colombian writer Héctor Abad Faciolince’s 2006 family memoir, which was published in English as Oblivion: the Spanish-language title of both book and film, El Olvido Que Seremos (“... Read more... |
My Father and Me, BBC Two review - Nick Broomfield's moving voyage around his familySunday, 21 March 2021
Nick Broomfield made his first film 50 years ago, and his career over those five decades (and some three dozen works) has been as distinctive, and distinguished as that of any British documentary maker. It has ranged from early films on British... Read more... |
Verdict review - social realism and court procedural combine in powerful Manila dramaSaturday, 13 March 2021
There’s something of an anomaly in Filipino director Raymund Ribay Gutierrez’s debut feature between its fast-moving dramatic opening, defined by an agile hand-held camera, and the much slower, more static scenes that follow. That early material,... Read more... |
Brenda Navarro: Empty Houses review - the pains and pressures of motherhoodThursday, 11 March 2021
The horror novelist Sarah Langan recently compared motherhood to being treated like a game of Operation. “The point of the game is to correct us by removing our defective bones, to carefully pick us apart. It’s open season.” For the Mexican writer... Read more... |
Mouthpiece review - double entendre in TorontoWednesday, 10 March 2021
Cassandra and her sister – or perhaps they’re friends or lovers – seem extraordinarily in tune. Like choreographed dancers, they move precisely in unison, down to tripping over their scarves at the same moment or flopping drunkenly into bed together... Read more... |
Kazuo Ishiguro: Klara and the Sun review - what makes us human?Tuesday, 09 March 2021
Unsettling, unremitting and psychologically stark, Klara and the Sun has all the hallmarks of a traditional Ishiguro novel. Dealing with his familiar themes of loss and love and the question of what makes us human, the book follows the "life" of an... Read more... |
Berlinale 2021: Petite Maman review – magical musings on the parent-child relationshipSaturday, 06 March 2021
Hot on the heels of her 2019 triumph Portrait of a Lady on Fire, Céline Sciamma’s fifth feature continues a perfect track record; this is yet another gorgeous and perceptive film, told from a determinedly female perspective but with a wisdom... Read more... |
Moxie review - likeable if confused high school comedyWednesday, 03 March 2021
A teen comedy with a thematic difference, Moxie has enough memorable moments to firmly establish comedian Amy Poehler as a director worth reckoning with in what is her second film, following Wine Country in 2019. Telling of the teenage Vivian's... Read more... |
Hymn, Almeida Theatre online review - highs and lows of a soulful brother bondingFriday, 19 February 2021
Contact without touch: among the many readjustments that the pandemic has brought to theatre, its demands that restrict direct contact almost to nothing must be among the most testing. We have learnt much about how rigorously any new production –... Read more... |
To Olivia review - Keeley Hawes rises above brainless biopicFriday, 19 February 2021
Sure, Roald Dahl wrote Charlie and the Chocolate Factory but is that any excuse for a film quite so saccharine? He of all challenging and complex men, with a temperament to match, seems an odd subject for the sort of weightless, paint-by-numbers... Read more... |
Rams review – softhearted bush-loving dramaSaturday, 06 February 2021
Kiwi and Aussie screen legends Sam Neill and Michael Caton have teamed up in this heartfelt and humorous remake of Grímur Hákonarson’s 2015 Icelandic original. The template of Hákonarson’s story has been transplanted but all the details and fillings... Read more... |
