history of music
Classic Albums: Tears for Fears, Songs From The Big Chair, BBC Four review - anatomy of an anthemSaturday, 15 February 2020
Roland Orzabal, co-founder and lead guitarist of Tears for Fears, laughs to himself often during this documentary — the latest in the BBC’s often-excellent, always-forensic Classic Albums series. “I agree, I agree, it sounds great,” says Orzabal. He... Read more... |
Miklós Perényi, Dénes Várjon, Wigmore Hall review – Beethoven in wonderfully safe handsMonday, 21 October 2019
"Revelatory": it’s one of those words which is now completely devalued through having been carelessly dropped into a thousand press releases. And yet it perfectly describes the results Miklós Perényi achieved in a pair of superb concerts of... Read more... |
Preludes, Southwark Playhouse review - journeying into the mind of RachmaninoffThursday, 12 September 2019
Where does music come from? That’s the vital question posed to Sergei Rachmaninoff in Dave Malloy’s extraordinary 2015 chamber work, as the great late-Romantic Russian composer – stuck in his third year of harrowing writer’s block – tries to... Read more... |
Blues in the Night, Kiln Theatre review - hard times, hot tunesThursday, 25 July 2019
It’s too darn hot, BoJo is in Downing Street, and we’re all going to Brexit hell – so we might as well sing the blues. Or at least take a night off from the apocalypse to enjoy a virtuoso company singing them for us in this rousing revival of... Read more... |
On Your Feet!, London Coliseum review - Gloria Estefan bio-musical hits familiar notesFriday, 28 June 2019
This well-meaning biographical jukebox musical about icons Gloria and Emilio Estefan, which did two years on Broadway and a US tour, is good summer scheduling, what with its Latin-pop bangers, infectious dance routines and “Dreams come true”... Read more... |
Treatise Project, Goldsmiths review - potent symbols reveal rich music potentialSaturday, 22 June 2019
Treatise by Cornelius Cardew is the defining work of the graphic notation movement. The score, completed in 1967, is made up of 193 landscape pages, each with two empty musical staves running along the bottom, with an array of graphic designs above... Read more... |
Classical CDs Weekly: Mozart, Poulenc, Jeremy DenkSaturday, 13 April 2019
Mozart: The String Quintets Klenke Quartet (with Harald Schoneweg, viola) (Accentus Music)The viola was Mozart's instrument of choice when playing chamber music, his fondness for the instrument's warm timbre prompting him to add a second viola... Read more... |
Our Classical Century, BBC Four review - enthusiasm and delightFriday, 16 November 2018
Jerusalem! This fact-studded story of 20th century British music told us that the nation's unofficial national anthem, Hubert Parry’s setting of William Blake’s poem, originated in 1916 as a commission from the “Fight for Right” movement. Officials... Read more... |
CD: Marianne Faithfull - Negative CapabilitySaturday, 03 November 2018
There are many layers of allusion that come with Marianne Faithfull’s powerful new album. The title is drawn from Keats, his formula for great poetry as opposed to instructive morality, and it’s towards a poetry of experience rather than the fixed... Read more... |
The King review - the myth behind the manSaturday, 25 August 2018
The most famous face in musical history, and perhaps the instigator of modern culture as we know it; he truly was the King. But for a documentary focused on such an icon, The King touches very little on Elvis Presley the man. This is not another... Read more... |
Africa: A Journey Into Music, BBC Four review - too little, too late?Saturday, 02 June 2018
BBC Four is the TV music equivalent of those oldsters music mags like Q and Mojo. Have there been five, or is it six, documentaries about Queen on the channel? You can sense the commissioners feeling with this new series they have now done... Read more... |
Reissue CDs Weekly: The ResidentsSunday, 15 October 2017
80 Aching Orphans ought to be hard work. A four-CD, 80-track, 274-minute overview chronicling 45 years of one of pop’s most wilful bands should be a challenging listen. The Residents have never made records which are straightforward or were meant to... Read more... |
