London
Miranda Heggie
In the final concert marking the Wigmore Hall’s 120-year anniversary, soprano Gweneth Ann Rand and pianist Simon Lepper gave a programme of songs curated by Rand, titled "An Imperfect Tapestry". Described by Rand as "a personal reflection of black voices and muses, stretching back in time to the Black Venus, who inspired the poetry of Baudelaire", the programme features traditional works made famous by singers such as Nina Simone and Billie Holliday, as well as newer songs by contemporary composers Errolyn Wallen, Adolphus Hailstork and Harry Server. Opening with the traditional spiritual “ Read more ...
Thomas H. Green
When Wolf Alice appeared a decade ago, you’d have to have been a soothsayer of Merlin-like proportions to predict the career trajectory they’ve had since. Certainly, prior to their debut album, this writer took them for just another female-fronted London indie guitar band, following the same old formula. Instead, they blossomed into imaginative alt-rock/pop ones-to-watch who can sell out Alexandra Palace, a Mercury Music Prize under their belt, now on the verge of big-festival-headlining proper fame.They deserve it. It’s an overused word (by music journalists, at least) but eclecticism is Read more ...
joe.muggs
Greentea Peng is a south Londoner, heavily tattooed, heavily spiritual, heavily anti-establishment, and very, very heavily into basslines. She cuts a singular figure in many ways, but her rebel dub soul style also makes her a particularly British archetype: the next iteration in a lineage starting with Poly Styrene and Ari Up, and running through Neneh Cherry, Tricky and MIA. (Yes, OK, Ari Up was German and MIA is Sri Lankan, but their sound and their cultural fusions could only have happened on this island.) Like each of those artists, she is unmistakeable in sound. One of the most Read more ...
Matt Wolf
Seventeen years after Ben Whishaw shot to attention playing Hamlet, this terrific actor is again playing someone "mad-north-northwest". Marking TV director Aneil Karia's feature film debut, Surge casts Whishaw as a jittery wreck called Joseph, whose psychic decline is tracked across 100 largely wordless minutes that nonetheless communicate a mounting dread. Possessed of a manic laugh that puts one in mind of Joaquin Phoenix's Joker, Joseph exists at sorrowful odds with himself, and Whishaw pulls you toward the demons of a man from whom you'd distance yourself in real life. When first Read more ...
Jessica Duchen
As András Schiff remarked from the stage early in this fairly remarkable evening, his usual audience knows he’s not about to play Rachmaninov. The idea for this concert last night and his return visit today, is that we turn up not knowing exactly what we will hear, beyond the name of a composer or two. He has a point. Why should pianists have to decide on every detail of their programmes two years in advance, sometimes more? It’s not an orchestra that needs to hire music and book a conductor. Given a sterling reputation, a devoted public following and a very good memory, a top pianist Read more ...
Adam Sweeting
Is Cruella the escapist blockbuster the Covid-blighted world has been waiting for? Well, it’s a feast for the eyes but 20 minutes too long, and for an origin story of the despicable Cruella De Vil of The Hundred and One Dalmations fame, it lacks the killer instinct when it comes to the crunch. At the end of the day, Cruella may have some serious mother issues, but she isn’t really cruel.Besides, we’ve had a consciousness-revolution about animal welfare since 1956, when Dodie Smith published her original Hundred and One Dalmatians novel. Smith’s Cruella was the acme of heartlessness, a woman Read more ...
aleks.sierz
After months of watching theatre on screens large, medium and tiny, I definitely feel great about going to see a live show again. Of course, it’s not the usual theatre experience, you know, the one with crowds milling around the bar, people breathing down your neck and elbowing you while you’re watching, but at least it’s three-dimensional.With COVID-19 restrictions, the audience is all masked up and socially distanced, but there is still a buzz at the Bush about this piece. Harm, which has already been screened on BBC Four with Leanne Best, is a new monologue by Bruntwood Prize-winning Read more ...
Adam Sweeting
It’s crazy, but could it possibly work? Writer Nida Manzoor (a veteran of Doctor Who and BBC Three’s sitcom Enterprice) grew up in a Muslim family, but that didn’t stop her being a fan of punk rock, Blackadder and This Is Spinal Tap. She also writes songs, so creating a sitcom about the female Muslim punk band Lady Parts wasn’t quite such a stretch as it might seem.Her smartest trick here, though, is to have used the device of the band to cast a wry and hilarious eye over not just Muslim life but common preconceptions of it, and its complicated interactions with the secular West (it’s not all Read more ...
Matt Wolf
An attractive and likeable cast remains the principal drawing card of Trying, the Apple TV+ romcom centred around the efforts of a 30something couple to adopt a child. Following on from the first season aired last spring, Andy Wolton's creation gives pride of place to a terrific assemblage of actors, who carry the day even when the piece itself seems to tread faintly overfamiliar ground.You feel, for instance, as if you've already heard the sort of badinage that bonds Nikki (Esther Smith) and Jason (Rafe Spall), the affectionately sparring duo who may debate the age your shoulders drop (not Read more ...
Matt Wolf
Emotions don't come in half-measures in Rare Beasts, with which Billie Piper makes a commendably edgy debut as writer-director onscreen while affording herself a stonking star part. Dedicated., we're informed, to "all my friends and all their woes", this self-described "anti-romcom" may be too stylistically indulgent for some.But see out its excesses and you emerge with a potent look at three very different relationships amidst our rancorous, chaotic times. And Piper, back in our midst for the first time since I Hate Suzie, here confirms herself as a huge talent who never chooses the easy Read more ...
Graham Fuller
Chris Petit's Radio On, his 1979 debut as writer-director, should be regarded as the first British psychogeography film. Though its protagonist, Robert B (David Beames), a DJ for the United Biscuits Network, drives from London to Bristol in his two-tone Rover to investigate why his brother has killed himself, his journey extends beyond his half-hearted sleuthing and carries him into as many liminal spaces in his psyche as the real ones in which he lingers during his journey. Unfolding over a few wintry days centred on Saturday, 10 March 1979, Radio On is often painted as bleak, Read more ...
Boyd Tonkin
In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and Offensive from Qasar 13 read their work to empty rooms in shabby pubs. Meanwhile, wealthy and fêted poets pen verses entitled “Composed at – Castle” or “To Sophonisba Anguiscola” and their agents immediately juggle megabuck offers from LA: “In poetry, first class was something you didn't need to think about. It wasn’t discussed. It was statutory.” Dead Souls, the first (almost) conventional novel by poet Sam Riviere, shares Amis’s engagement both with male Read more ...