LSO
First Person: young composer Nicola Perikhanyan on a new immersive reality experience at London WallWednesday, 22 December 2021
There's something really moving about standing in the centre of London Wall's Roman ruins and looking up at the city that has grown around it. Thinking about our past, present and future simultaneously. More than 2000 years have passed since the... Read more... |
Soweto Kinch, LSO / 'London Third Stream', London Sinfonietta, EFG London Jazz Festival review - projects from the political to the loop-ySaturday, 20 November 2021
“Take Jazz Seriously,” wrote Maurice Ravel after his American trip in 1928. This past week of the 2021 EFG London Jazz Festival has seen that advice itself being taken seriously, with a bunching of projects and premieres. Jazz musicians have been... Read more... |
Tamestit, LSO, Ticciati, LSO St Luke's review - viola as chameleon, palpitating BrahmsFriday, 15 October 2021
Returning to LSO St Luke’s, formerly a beacon in the darkness of semi-lockdown for the lucky few allowed to feast upon the London Symphony Orchestra from the gallery, felt the same, yet different, like so much since most of the rules were relaxed.... Read more... |
Classical CDs: Lieder, folk song and a neglected conductor receiving his dueSaturday, 25 September 2021
Anthony Collins: Complete Decca Recordings (Decca Eloquence)Born in 1893, Anthony Collins began his musical career as a 17-year-old violist in the Hastings Municipal Orchestra. Active service in World War 1 was followed by a spell at the Royal... Read more... |
LSO, Rattle, Barbican review - a glimpse into Bruckner’s workshopMonday, 20 September 2021
For most Bruckner fans, the multiple editions and revisions of his symphonies are a problem. But Simon Rattle sees it differently; for him every edition offers more music to explore. That was the thinking behind this programme, presenting the Fourth... Read more... |
LSO, Rattle, BBC Proms review - dazzling Stravinsky showcaseMonday, 23 August 2021
Simon Rattle and the LSO marked the 50th anniversary of Stravinsky’s death with a concert of three “symphonies”. In fact, the programme had little to say about Stravinsky’s relationship with symphonic form: his early E flat Symphony was omitted, and... Read more... |
Classical CDs: Soviet symphonies, popular classics and percussionSaturday, 14 August 2021
Louise Farrenc; Symphonies 1&3 Insula Orchestra/Laurence Equilbey (Erato)Louise Farrenc’s music is good as you’d expect from a precocious talent who’d studied piano with Hummel and composition with Reicha. Born in 1804, Farrenc’s... Read more... |
Classical CDs: Three great conductors remembered, Mahler with accordion and a song cycle with no singerSaturday, 05 June 2021
André Previn: The Warner Edition – Complete HMV & Teldec Recordings (Warner Classics)Flicking through this box set will provoke a Proustian rush if you’re of a certain age. These recordings were mostly made for EMI, though Warner Classics... Read more... |
Wigmore Hall at Portman Square / Wang, LSO, Tilson Thomas, LSO St Luke's review - al fresco chamber, full orchestra indoorsTuesday, 01 June 2021
Sometimes the big musical institutions follow off-piste trailblazers. John Gilhooly of the Wigmore Hall has been a hero in lockdown year, keeping musicians paid up and performing to audiences live or via livestream (or both); but it was clarinettist... Read more... |
LSO, Rattle, Barbican review - songs and dances in a room with an audienceWednesday, 19 May 2021
It began with a sense of wonder, not just from the Barbican's socially distanced audience but also from the stage, at “that sound you make with your hands”, as Simon Rattle put it in what he said was a novelty speech before a performance. What... Read more... |
Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbican online review - more joy than sorrowTuesday, 11 May 2021
The drunkard in spring; the lonely man in autumn; the long goodbye. Mahler’s last song-cycle often seems to embody solitude; a resigned, earthly counterpart to the transcendent rapture of his previous work, the Eighth Symphony, as a superstitious... Read more... |
Two LSO concerts on Marquee TV review - vibrant triptychesFriday, 05 March 2021
In amongst the heavy-hearted duty of supporting orchestras by watching their concert streamings – not something I’d do by choice – there are two real joys here. One is the discovery of Austrian composer Franz Schreker’s Chamber Symphony of 1916. The... Read more... |
