mental health
Standing at the Sky's Edge, National Theatre review - razor-sharp musical with second-act woesTuesday, 21 February 2023
Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill... Read more... |
A Streetcar Named Desire, Almeida Theatre review - Patsy Ferran rises above fussy stagingFriday, 13 January 2023
It’s a long way from the dank chill of an English winter to the stultifying heat of a New Orleans summer, but we’ve been here before at this venue. Five years on from their award-winning Summer And Smoke, Rebecca Frecknall is back in the director’s... Read more... |
Here, Southwark Playhouse review - award-winning kitchen sink drama goes down the drainThursday, 17 November 2022
The kitchen sink drama has been a standby of English theatre for 70 years or more, but not always with an actual sink on stage. But there it is, in an everyday home that harbours a secret or two in Clive Judd’s debut play, the winner of the 2022... Read more... |
The Wonderful World of Dissocia, Theatre Royal Stratford East review - wild trip gets a welcome revivalSaturday, 24 September 2022
Lisa has lost an hour in a (somewhat contrived) temporal glitch. As a consequence, her world is always sliding off-kilter, not quite making sense, things floating in and out of memory. A watchmaker (himself somewhat loosely tethered to reality)... Read more... |
Tasting Notes, Southwark Playhouse review - whining in the wine barSaturday, 30 July 2022
LJ's dream has come true - she has her very own wine bar. Unfortunately for us, it turns into a bit of a nightmare.This new musical open on a nostalgic 70s vibe. Tables and chairs fill almost all of Southwark Playhouse's smaller space, a set that... Read more... |
The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right placeSaturday, 23 July 2022
Music plays a big part in the life of Dwight, an 11-year-old black lad growing up in early 80s Leeds. He doesn't fit in at school, bullied because he is "slow", and he doesn't fit in outside school, would-be friends losing patience with him.But he... Read more... |
Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family dramaMonday, 27 June 2022
For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a line that stretches back to Eugene O’Neill, the plentiful other contenders that have appeared over the decades... Read more... |
Mieko Kawakami: All the Lovers in the Night review - the raw relatability of lonelinessSaturday, 25 June 2022
Mieko Kawakami is the champion of the loner. Since achieving immense success in the UK with her translated works, she has become an indie fiction icon for her modern, visceral depictions of characters who exist on the fringes of Japanese society.... Read more... |
The Glass Menagerie, Duke of York's Theatre review - memories flare and fadeWednesday, 01 June 2022
The stage is cluttered with objects; a pianola sits stage left; a large cabinet, soon to be revealed as a display case for tiny glass ornaments, dominates the centre. A man, gaunt, in his 40s perhaps, wanders among this stuff.He is our narrator (... Read more... |
First Person: Christina McMaster - seeking musical cures for modern malaiseSaturday, 28 May 2022
In 2020, during a gentle easing of lockdown restrictions, I was asked to play for the Culture Clinic sessions at Kings Place, a creative initiative where small groups of up to six people could book a ticket for a private, personally tailored... Read more... |
For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Royal Court review - Black joy, pain, and beautyTuesday, 19 April 2022
The title is so long that the Royal Court’s neon red lettering only renders the first three words, followed by a telling ellipsis. But lyrical new play For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy lives up to its weighty... Read more... |
Anyone Can Whistle, Southwark Playhouse review - full-on bonkersFriday, 08 April 2022
Musicals don't get madder than Anyone Can Whistle, the 1964 Broadway flop from onetime West Side Story and Gypsy collaborators Stephen Sondheim and Arthur Laurents which makes history of sorts at Southwark Playhouse as the first Sondheim show to be... Read more... |
