Oxford
Album: Foals - Life is YoursWednesday, 15 June 2022
For the Oxford alt-rock mainstays Foals, the past two years brought an anti-climactic pause to a triumphant 2019: their meteoric trajectory had kept pace with their duo of albums, Everything Not Saved Will be Lost Part 1 and 2. The sister albums had... Read more... |
Bach St John Passions from Oxford and Stockholm online review – theatrical drive from Gardiner, interiority under HardingSaturday, 03 April 2021
Last Easter, viewing options were limited: no-one who saw it will forget a version of Bach’s St John Passion from the church where it was first performed in 1724, Leipzig’s Thomaskirche, with an idiosyncratic tenor taking all the parts other than... Read more... |
His Dark Materials, BBC One review - generic TV fantasy with ready-made twistsMonday, 04 November 2019
The good news is that television's serial slow burn will allow for a lot more original Pullman to make its way to screen than was possible in the one and only instalment of the intended film trilogy, The Golden Compass. Its virtues were many,... Read more... |
Classical CDs Weekly: Eleanor Alberga, Parry, BlondelSaturday, 21 September 2019
Eleanor Alberga: String Quartets 1, 2 & 3 Ensemble Arcadiana (Navona Records)Eleanor Alberga’s String Quartet No 2 popped up on my iPod’s shuffle setting whilst driving few months ago, provoking me to pull over and spend the next 13... Read more... |
CD: Foals - Everything Not Saved Will Be Lost Part 1Monday, 11 March 2019
Foals have delivered a consistently top-notch series of albums (this is their fifth since Antidotes in 2008): guitar-led, high-energy, musically literate without being effete or pompous. Power pop elevated beyond the run-of-the-mill by a great deal... Read more... |
Endeavour, Series 6, ITV review - reassuringly accomplished return of the brainy copperMonday, 11 February 2019
The end of series five of Endeavour found PC George Fancy shot dead, Cowley police station closed and the old crew dispersed. With Led Zeppelin on the soundtrack (it’s 1969), the sixth series opened minus WPC Trewlove, but with Fred Thursday demoted... Read more... |
Mutter, Vengerov, Argerich, Oxford Philharmonic, Papadopoulos, Barbican review - a birthday banquetMonday, 14 January 2019
When three of the planet’s starriest soloists take the time to celebrate the anniversary of a young, non-metropolitan orchestra, it may seem perverse to leave the hall entranced most by the one work in which the illustrious trio played no part. Of... Read more... |
A Discovery of Witches, episode 2, Sky 1 review - when the sorceress met the vampireSaturday, 22 September 2018
Witches, vampires and magicke of all descriptions continue to be big box office, so Sky 1’s new dramatisation of the first book of Deborah Harkness’s All Souls Trilogy should be finding a ready-made audience. Anybody who’s into this kind of stuff... Read more... |
Neil Simon: 'I don’t think you want it really dark'Monday, 27 August 2018
Asked to nominate the most important playwright in America since the war, theatregoers would probably plump for Arthur Miller, Edward Albee or David Mamet. But in terms of sheer popularity there is another candidate. Neil Simon’s wiseacre comedies,... Read more... |
Classical CDs Weekly: Sverre Indris Joner, John McLeod, Poulenc, StravinskySaturday, 21 July 2018
Sverre Indris Joner: Con cierto toque de tango Henning Kraggerud (violin), Norwegian Radio Orchestra/Sverre Indris Joner, with Tango for 3 (Lawo Classics)Sverre Indris Joner is described in this disc’s notes as “the doyen of Latin American... Read more... |
Philip Pullman: La Belle Sauvage review - not quite equalSunday, 22 October 2017
La Belle Sauvage, the first instalment of Philip Pullman’s eagerly-awaited new trilogy The Book of Dust, opens in the Trout, a rambling Thames-side pub on the outskirts of Port Meadow, north of Oxford. Here all kinds drink: scholars, labourers,... Read more... |
Alan Hollinghurst: The Sparsholt Affair - pictures at an exhibition, with telling gapsSunday, 08 October 2017
Television has paid its dues to the 50th anniversary of the Sexual Offences Act - rather feebly, with some rotten acting, in Man in an Orange Shirt; brilliantly, with mostly superb performances, in the monologue sequence Queers, surely due a second... Read more... |
