Stravinsky
Robert Beale
Back on home ground, the Hallé begin 2024 in Manchester with a repeated programme. I heard the first of three performances this week. It includes one piece they played only 10 days ago on a tour in Spain with the orchestra’s new principal conductor designate, Kahchun Wong. This time, however, the conductor was Alondra de la Parra (main picture), whose experience of working with young people was immediately apparent as she struck up a relationship with the parties of youngsters in the audience, talking to them about the music before the playing began.Two of the works – Debussy’s Prélude à Read more ...
Robert Beale
Continuing the retrospective aspect of his final season as music director of the Hallé, Sir Mark Elder returned last night to Ravel’s Daphnis et Chloé, the work with which he opened the orchestra’s 2014-15 Manchester series to such memorable effect.That was the fulfilment of a long-held ambition, he said at the time, and, with the Hallé Choir joining the orchestra for the performance of this “choreographic symphony”, it was no doubt equally satisfying to bring it back in all its glory.But the invigorating exploration of orchestral repertoire that has marked his time with the Hallé was present Read more ...
graham.rickson
Antal Doráti: The Mercury Masters – The Mono Recordings (Decca Eloquence)The great Hungarian conductor Antal Doráti (1906-1988) enjoyed a long and prolific recording career, stretching from the mid-1940s to the early 1980s. This beautifully produced 30-CD package is one of two dedicated to Doráti’s 11-year stint in charge of the Minneapolis Symphony Orchestra (now known as the Minnesota Orchestra). Doráti’s predecessor was the charismatic, erratic Dimitri Mitropoulos. His penchant for new and challenging music wasn’t to all tastes, and in 1949 Doráti took charge of an ensemble whose Read more ...
graham.rickson
Louise Farrenc: Symphonies 1-3 Insula Orchestra/Laurence Equilbey (Erato)Louise Farrenc (1804-1875) is not perhaps the best-known name among pre-20th century women composers garnering increased attention recent years – but she might be the best. She managed to achieve success in her own lifetime, even in the field of the symphony – the form most guarded by the high-art (male) gatekeepers – before pretty much disappearing from music history. This release of Farrenc’s three symphonies (plus two overtures) by the Insula Orchestra, playing on period instruments, makes a very persuasive Read more ...
graham.rickson
Shostakovich: Symphonies 8, 9 and 10 Berliner Philharmoniker/Kirill Petrenko (Berlin Phil Media)Potential purchasers worrying that the Berlin sound might be a little too well-upholstered for Shostakovich needn’t worry; one striking aspect of the performances captured in this set is their rawness and bite. Herbert von Karajan made two superb recordings of Symphony No. 10 with the Berlin Philharmonic in the 1960s and 1980s, and Kirill Petrenko’s new one is similarly involving. That he’s got an orchestra capable of playing the second and fourth movements up to tempo is a plus: I’ve rarely Read more ...
David Nice
What a manifesto against those in power who seem determined to knock the UK off its hard-won classical music pedestal: hundreds of young choristers and instrumentalists of two fabulous orchestras in a week-long celebration of innovative programming and presentation. Any politician attending – I’d like to think there were a few, but I doubt it - would have been fired up to devote every effort in support of British youth and musicSorry not to have got to Wednesday night’s Albert Hall celebration of the National Youth Choir’s 40th anniversary, or Friday’s Edinburgh spectacular from the National Read more ...
graham.rickson
Nadia & Lili Boulanger: Les Heures Claires - The Complete Songs Lucile Richardot (mezzo), Stéphane Degout (baritone), Raquel Camarinha (soprano), Anne de Fornel (piano), Sarah Nemtanu (violin), Emmanuelle Bertrand (cello) (Harmonia Mundi)This 3-CD set of 63 songs and instrumental pieces by the Boulanger sisters, Nadia (1887-1979) and Lili (1893-1918) really is a treasure-trove. It is claimed that it is the first “intégrale” of the songs by both sisters; these are occasionally interwoven with instrumental pieces. To over-generalize, the first two CDs give an insight into the level of Read more ...
graham.rickson
Debussy: Piano Works Volume 2 Dennis Lee (piano) (ICSM Records)I’m a huge fan of Colin Matthews’ idiomatic orchestral transcriptions of Debussy’s Préludes, so much so that it’s been a good few years since I’ve listened to the piano originals. This disc caught me unawares and made me reflect on just how difficult this music is to bring off. Bringing out every detail can impede the music’s flow, while concentrating too much on colour and atmosphere can make everything sound a bit blurry and vague. This is Malaysian pianist Dennis Lee’s second Debussy collection, and it’s something special Read more ...
Robert Beale
Two intriguing themes and two great guest artists were offered by the BBC Philharmonic to their Saturday night audience in the Bridgewater Hall: the themes were what “classicism” really is, and the variety of music inspired by (or written for) dance.The artists were Angela Hewitt, soloist in Mozart’s Piano Concerto No. 23, and Sir Andrew Davis, making another welcome visit to Manchester. You might say that a third theme of the evening was the chance to see the two of them deliver a masterclass in piano playing and orchestral conducting.Classicism, then: what is it? Whole books have been Read more ...
stephen.walsh
There are conductors, and then again there are choral conductors. I sang under David Willcocks in Tallis’s 40-part "Spem in alium" and remember vividly that long-armed semaphoring that he later applied so notably with the Bach Choir.Sofi Jeannin, choral conductor par excellence (of, among others, the BBC Singers), is likewise a semaphorer, not always comfortable to watch, effective if not outstandingly individual in the outcome. In this typically hybrid BBC National Orchestra of Wales concert she conducted three tricky choral works with the dependable BBC National Chorus of Wales, and, Read more ...
alexandra.coghlan
Paris, Vienna, Rome – all have their operatic homages. But London (and I mean real London, not the slightly-grey Italy of Donizetti’s Tudor Queens) only rarely makes it into the opera house. Curiously, on the rare occasions it does, it’s the seedy side of things that’s very much at the fore in The Beggar’s Opera and, of course, the Hogarth-inspired The Rake’s Progress.The city is the touchstone for any staging of the Stravinsky, telling the audience where on the dial between fairytale and morality play we’re going to fall. In Frederic Wake-Walker’s new production for the Royal Academy of Read more ...
Robert Beale
This was at first sight a somewhat ordinary looking programme for the BBC Philharmonic: Beethoven, Brahms … even Stravinsky doesn’t frighten a Saturday night audience in Manchester these days. They come for a good night out and quite a lot of them applaud after every first movement – even more if they can (and that means they don’t consider themselves high-brow, which is always a good thing for classical concerts).But the most notable thing was that there was an outbreak of affection and bonhomie which seemed to begin from the platform and spread out to the hall. Elena Schwarz was Read more ...