Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
latest in today
The latest in Peter Culshaw’s occasional radio shows with a global music bent is a post-WOMAD chat with one of its originators, who…
It's a reviewer's unkind luxury to moan about having to sit through yet another performance of Elgar's Cello Concerto simply to hear a…
You’re not going to catch Alan Ritchson playing King Lear at Stratford or doing Noël Coward at Chichester, but as an implacable warrior for…
The clue is in the name, I suppose. Revolución diamantina – Glitter revolution – was written in 2023 by Gabriela Ortiz (pictured below) as…
Matt FordePleasance Courtyard ★★★★Matt Forde is one of those comics Fringe-goers can rely to present a well-prepared and funny show, and…
So much has vanished from my memory of the time I had a half-season Arena Proms pass back in 1982, but not the performance of Berlioz's…
Andrew O’Hagan’s 2020 novel Mayflies had a memorable television treatment in 2022, and a brand new stage adaptation – to which the writer…
Like electronica, metal is an umbrella term that contains multitudes of micro-genres. How do you fancy sludge, blackened crust or funeral…
Just over 24 hours before Idlewild stepped out at the Kelvingrove Bandstand, the much ballyhooed solar eclipse had proved a damp squib for…
The Adverts’ debut single was released by Stiff Records in late April 1977. The top side of the “One Chord Wonders” / “Quick Step” pairing…