fri 20/06/2025

Mert Dilek

Articles By Mert Dilek

King Lear, Almeida Theatre review - Danny Sapani dazzles in this spartan tragedy

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Hadestown, Lyric Theatre review - soul-stirring musical gloriously revamps classical myths

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Stranger Things: The First Shadow, Phoenix Theatre review - formidable stagecraft unlocks new depths to the popular series

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King Lear, Wyndham's Theatre review - Kenneth Branagh helms a pared-down tragedy

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Sunset Boulevard, Savoy Theatre review - Nicole Scherzinger stuns in an exceptional production

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Brokeback Mountain, @sohoplace review - emotionally inert take on acclaimed tale of queer love

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Medea, @sohoplace review - Sophie Okonedo is commanding in a dated version of the Greek tragedy

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Mandela, Young Vic review - baffling bio-musical

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Orlando, Garrick Theatre review - Emma Corrin is incandescent in an underwhelming adaptation

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The Crucible, National Theatre review - visually stunning revival of Miller's classic drama

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Who Killed My Father, Young Vic review - Hans Kesting excels in this solo show

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My Fair Lady, London Coliseum review - tasteful revival powered by stirring performances

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Jerusalem, Apollo Theatre review - Mark Rylance blazes in this astonishing revival

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Prima Facie, Harold Pinter Theatre review - Jodie Comer sears the stage

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The Sugar House, Finborough Theatre review - appealing but uneven family drama

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albatross., Playground Theatre review - interconnected intimacies

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'We are bowled over!' Thank you for your messages... ...
The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...