We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…

Stories about slavery tend to be simplistic: white perpetrators are bad, black victims good. One of the more striking features of Winsome…

Sarah Millican is at an age where she is pausing to reflect and in Late Bloomer, her most recent show – shown as a special on Channel 4 and…

Johnny Franck’s energy is palpable with the latest Bilmuri instalment, his signature comedic country metalcore style is as honed as ever…

The opening track is Hoyt Axton’s “Evangelina.” After first appearing on the 1976 album Fearless it was re-recorded and issued as a flop UK…

Time is a terrifying force in Romeo & Juliet, and Robert Icke's headlong production never lets playgoers forget that fact. Returning to…

Just a year after the first series, Your Friends & Neighbours returns to titillate and amuse us with the escapades of the moneyed but…

Science on stage is quite the thing at the moment with a revival of Michael Frayn’s Copenhagen opening at Hampstead Theatre next week and…

Mountain Call from ECM – it consists of recordings made in Prague in very different contexts and settings between 2003 and 2010 – is a…

If ever there was a piece that epitomised the view that villains are infinitely more fun than heroes, it would be Pierre Choderlos de…