Thomas Rees
Articles By Thomas Rees
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Peter Grimes, Welsh National Opera review - febrile energy a...
Emotions run high at WNO these days. When the company’s co-...
Frang, LPO, Jurowski, RFH review - every beauty revealed
When Vladimir Jurowski returns to what used to be “his” London Philharmonic Orchestra, you’d better jump. I would have done on Wednesday had I...
Kenny Garrett, Ronnie Scott's review - a mixed bag
The sax-player Kenny Garrett established a reputation as one of Miles Davis’s band in the Amandla (1989) period. He was also a member of...
Album: Sofia Härdig - Lighthouse of Glass
The titular “lighthouse of glass” is a place where the narrator is “crying into the sun,” in which there is a need to “stand by my solitude.”...
Music Reissues Weekly: Ibex Band - Stereo Instrumental Music
Stereo Instrumental Music was recorded in July 1976 and originally issued only on cassette. The release was organised by...
Blu-ray: Yojimbo / Sanjuro
Akira Kurosawa described his 1961 hit Yojimbo as a tale of “rivalry on both sides, and both sides are equally bad… we are weakly caught...
Levit, Sternath, Wigmore Hall review - pushing the boundarie...
Igor Levit is a master of the unorthodox marathon, one he was happy to share last night with 24-year-old Austrian Lukas Sternath, his student in...
Rhinoceros, Almeida Theatre review - joyously absurd and abs...
Is the theatre of the absurd dead? In today’s world, when cruel and crazy events happen almost daily, the idea that you can satirize daily life by...
Mr Burton review - modest film about the birth of an extraor...
Many know that the actor Richard Burton began life as a miner’s son called Richard Jenkins. Not so many are aware of the reason he...