thu 13/03/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

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Not to be overshadowed by the adrenalin charges of the Budapest Festival Orchestra the previous evening, the BBC Symphony Orchestra and its...

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Occasionally, when I pass my own reflection, out of the corner of my eye I catch a glimpse of the likeness of my father, shining out through the...

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Marriage is not often presented in cinema as a bowl of mangoes, but it’s rarely shown as so morbidly strange as in this reckless corker...

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Steven Wilson’s cinematic concept album The Overview is named for the cognitive shift required of astronauts and others who’ve observed...

Levit, Budapest Festival Orchestra, Fischer, RFH review - an...

A showstopper for starters followed by dark depths, a quirky compilation after the interval: it’s what you might expect from Iván...

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When Yasmina Reza’s cerebral play Art arrived in London in 1996, we applauded it as a comedy. Now another French hit,...

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The Father of Make Believe is the latest instalment in the cinematic fantasy world that Coheed and Cambria have meticulously crafted over...